![Bottesini_Artwork[DIGITAL]](https://dnan0fzjxntrj.cloudfront.net/Pictures/380x253/6/8/9/36689_bottesini_artworkdigital_876468_crop.jpg)
In each case your shift is taking place on the new bow rather than the old bow, which means you're not anticipating the new position.'
Gary Hoffman gives a cello masterclass at the Queen Elisabeth Music Chapel on Tchaikovsky's Pezzo capriccioso, op.62 on 9 May 2016. The cello student is Natania Hoffman.
Read: How to play with a flexible bowing arm by cellist Gary Hoffman
2024 marks the centenary of the legendary cellist János Starker. Steven Isserlis shares his memories of Starker, in this tribute from the April 2014 issue of The Strad
2024 marks the centenary of the legendary cellist János Starker. Gary Hoffman shares his memories of Starker, in this tribute from the April 2014 issue of The Strad
Cellist Lynn Harrell considers challenges and contemporary concepts in the first movement of a sonata conceived entirely in the imagination of a deaf composer. From January 2019
Bernsted performs a solo work that she describes as having ‘complexity like a kaleidoscope’
Check out a string chamber version of Vaughan Williams’s beloved work for violin
![Bottesini_Artwork[DIGITAL]](https://dnan0fzjxntrj.cloudfront.net/Pictures/100x67/6/8/9/36689_bottesini_artworkdigital_876468_crop.jpg)
Oesi and pianist Andrea Vasi perform Bottesini’s Allegro Di Concerto ’Alla Mendelssohn,’ which was released as a single last week
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