The Strad's experts evaluate the latest string recordings
Beethoven: Piano Trios in D major op.70 no.1 ‘Ghost’, in E flat major op.70 no.2 & in B flat major op.11
Well-judged performances of three of Beethoven’s piano trios
Wednesday, 01 June 2011
ANALEKTA AN 2 9860
Achieving the spectral effects in the second movement of Beethoven’s ‘Ghost’ Trio calls for great care in balancing instruments. The members of the Gryphon Trio judge it to perfection, and this is just one example of the subtle nuances that characterise the performances throughout the disc. Tempos in the outer movements of the ‘Ghost’ are brisk, with the playful view of the final Rondo quite delightful. Despite a few questions of intonation, this is an account that succeeds through its sense of spontaneity.
Its companion piece in op.70 is totally different, its sombre opening setting the scene for Classical restraint. The Gryphon’s strings give Jamie Parker’s piano the dominating role in the two central movements.
Without the first-movement repeat in the ‘Ghost’, there is room on the disc for the op.11 Trio. This is robust and jolly in its outer movements, as Parker’s mercurial fingers dance around the string accompaniment, but its central Adagio unfolds with a natural repose.
In all three scores, changes of pulse and dynamic shadings are well handled, yet I miss the individual views from all three members of the Florestan Trio that makes their recordings (Hyperion) so interesting. Analekta’s sound is commendably detailed.
From the June 2011 issue. Subscribe to The Strad or download our digital edition as part of a 30-day free trial.