The Strad's experts evaluate the latest string recordings
Mozart: Violin Sonatas vol.5: Sonatas in B flat major K31, in A major K305, in D major K306 & in C major K403
Sunday, 01 June 2008
Rachel Podger (violin) Gary Cooper (fortepiano)
Channel Classics CCS SA 25608 (hybrid SACD)
The fifth volume in Rachel Podger’s traversal of the complete Mozart violin sonatas includes one of the works he composed as a child. These were designated for keyboard with an optional violin part, and though not without academic interest when viewed in his development, they are musically unimportant. The case for the B flat minor Sonata, written at the age of ten, is not well made here: Gary Cooper hastens his way through the opening Allegro with a mechanical regularity that I find tedious.
Twelve years later Mozart was taking the violin and piano towards an equal partnership, though it is the keyboard that still carries the major thematic material in K305 and K306. That is made the more obvious in performances where you feel Cooper is thrusting forward in the outer movements, while Podger is happy to follow in his wake. Given a more expressive roll in the extended central Andantino cantabile of the D major work, Podger’s playing has a likable and unaffected charm.
Some may consider Cooper’s proactive stance up to this point takes his Classical purity one step too far for repeated enjoyment, but the account of the C major Sonata is very different. Here both players soften their impact with a degree of expressiveness that sheds great tenderness on the music, every phrase shaped with a beautiful sense of line.
The close-up recording seems to have added to the flinty sound of the fortepiano, with a balance that favours the keyboard obviously as the performers intended.
From the June 2008 issue. Subscribe to The Strad or download our digital edition as part of a 30-day free trial.