All Editorial articles – Page 48
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ReviewConcert review: Johan Dalene (violin) Julien Quentin (piano)
Charlotte Gardner visits the Verbier Festival in Switzerland to hear the performance at Verbier Church on 18 July 2021
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ReviewLive-streamed concert review: Claudio Bohórquez (cello) Christoph Eschenbach (piano)
Peter Quantrill tunes into the show from Teldex Studios, Berlin, Germany, on 16 June 2021
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ReviewConcert Review: Barry Shiffman (violin/viola) Tanya Gabrielian (piano)
Leah Hollingsworth attends the performance at Shalin Liu Performance Center, Rockport, MA, US, on 11 July 2021
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ReviewConcert review: Nicola Benedetti (violin) Aurora Orchestra/Nicholas Collon
Peer Quantrill hears the performance at London’s Royal Festival Hall on 4 July 2021
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ReviewLive-streamed concert review: Jack Liebeck (violin) Sheku Kanneh-Mason (cello) Julian Bliss (clarinet) Katya Apekisheva (piano) Voces8
Tim Homfray watches the recital at the Voces8 Centre (St Anne and St Agnes Church) in London, UK, on 17 July 2021
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ReviewTimothy Ridout: A Poet’s Love
Song transcriptions that delightfully channel the viola’s inner poet
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ReviewCatherine Hewgill: From Darkness to Light
Russian cello sonatas receive committed and moving performances via Australia
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ReviewRick Stotijn: Back to Stockhome
Brave and convincing performances of new music for double bass
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ReviewBook review: Rethinking Social Action Through Music: The Search for Coexistence and Citizenship in Medellín’s Music Schools
Jonathan Govias reviews a book by Geoffrey Baker examining the concept - and feasiblity - of ’social action through music’
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ReviewBook review: A Life in Music: Memories of 80 years with the violin
Julian Haylock reviews the autobiography of violinist and Royal Academy of Music pedagogue György Pauk
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ReviewVilnius Quartet: Karnavičius
Early 20th-century Lithuanian quartets are worth hearing if not world-changing
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ReviewMichael Petrov: Poulenc, Franck, Dutilleux
Eloquent performers are fully up to the technical demands of the music
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ReviewIlya Gringolts: Ciaccona
Striking collection of solo chaconnes demands the listener’s full attention
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