All Features articles – Page 19
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Karen Tuttle: The Violists’ Champion
Violists, particularly in the US, regard Karen Tuttle as a pioneer of pedagogy, tirelessly committed to improving the playing freedom of her students. As this month marks the 100th anniversary of her birth, Carlos María Solare pays tribute to her career, teaching methods and formidable strength of character
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Isabelle Faust: clarity and insight
German violinist Isabelle Faust is known for the precision and intelligence of her performances. She talks to Amanda Holloway about how her new album of Mozart sonatas has brought her face to face with the enigma of the composer’s musical language
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Pressenda: Combined impact
Despite his instruments showing very little difference in form, Giovanni Francesco Pressenda was one of the most idiosyncratic – and innovative – Italian luthiers of the 19th century. Drawing on 20 years of research, Tsutomu Miyasaka reveals how his style reflected both the French and Italian makers of his day
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Fingerboards: The lighter option
While the acoustics of the violin soundbox have undergone rigorous testing, the neck and fingerboard have been virtually ignored. Joseph Nagyvary reveals the results of experiments showing that a lighter material might be preferable to the standard ebony
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The singing, humming, whistling, hollering, growling, storytelling bassist
During the past half-century many works have been written for vocalising double bassists. Lisa Mezzacappa delves into this highly creative phenomenon
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Persoit, the illusion solution
One of the most mysterious French bow makers, Persoit had a number of idiosyncrasies that give his works a uniquely light appearance. Through a detailed study of a single bow, Paolo Sarri shows his creative answer to the problem of bulky heads
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Tan Dun and Eldbjørg Hemsing: the folk connection
Chinese composer Tan Dun’s new concerto for Norwegian violinist Eldbjørg Hemsing draws on traditions common to the homelands of both artists. Andrew Mellor speaks to them about this latest in a series of collaborations
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The gain in Spain: German makers in Naples
In the 16th century, many European cities saw an influx of makers from Germany – and the cultural milieu and civic policies of Spanish-held Naples proved particularly attractive. Luigi Sisto explains how the expatriate community laid the groundwork for the city’s lutherie tradition
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At the dawn of it all: making in Füssen
Nowadays best known for its neo-Gothic castles, the town of Füssen in southern Germany has possibly the oldest lutherie tradition of any in the country. Thomas Riedmillertraces its influence, from the foothills of the Alps to England, Vienna and Prague
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Ébène Quartet: The Freedom of Instability
Currently making international appearances to mark Beethoven’s 250th birthday as well as celebrating 20 years since its foundation, the Ébène Quartet is riding high now that violist Marie Chilemme has become an established member. But, the players tell Charlotte Gardner, replacing former violist Mathieu Herzog was no easy matter following ...
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Vuillaume's Early Years: The Making of a Master
Jean-Baptiste Vuillaume was the most successful French luthier of his time, but the first years of his career are still shrouded in mystery. Jonathan Marolle examines some of his earliest instruments to uncover the evolution of his technique and style
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Itamar Zorman, voice for Israel
Violinist Itamar Zorman’s new recording highlights the transition from European to Middle Eastern influences in the works of Paul Ben-Haim, as he tells Gavin Dixon
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Jerry Horner: A Virtuoso Teacher
In February last year, former Fine Arts Quartet violist Jerry Horner died at the age of 83. China Conservatory of Music violin professor and past Horner student James Dickenson reflects on the career and teaching legacy of a fine mentor, drawing on interviews with Horner’s students and colleagues, and with ...
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Michel Collichon: The Magnificent Ten
Just a handful of instruments by Michel Collichon have survived to the present day – but they demonstrate the skill and techniques of a master innovator. With a tenth example recently identified, Shem Mackey explains the appeal of the 17th-century viol maker to modern-day luthiers
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Retirement from Performance: A Change of Pace
Is there a time when we should admit defeat, acknowledge our age and put our instruments away for good? Or is it possible to keep enjoying, playing and sharing music forever? Pauline Harding talks to musicians young and old about falling standards, failing physiques and a joy of playing music ...
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Alfred Staar: sound master
As a leading proponent of the Viennese sound, Alfred Staar’s influence continues to be felt today – no fewer than 22 of his former students currently hold posts in the Vienna Philharmonic. Inga Brandini shares a conversation with the great professor from 15 March 2000, shortly before his death a ...
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Jacob Stainer: reviewing the situation
It has long been assumed that Jacob Stainer received some training in Cremona – but the theory rests on slim evidence. Rudolf Hopfner explores a middle-period violin using micro-CT technology to cast doubt on what we think we knowWolfgang Schneiderhan
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Augustin Hadelich: brilliant concepts
Since winning the Indianapolis Competition in 2006, violinist Augustin Hadelich has built a reputation for musically astute interpretations in wide-ranging repertoire, much of it written in the 20th and 21st centuries. He speaks to Chloe Cutts about his latest recording – an unusual pairing of Brahms and Ligeti
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Yoga and string playing: …And breathe…
There is a close connection between yogic principles and string playing technique, says cellist Ruth Phillips, who illustrates this with postures chosen in collaboration with her colleague Jane Fenton, and reveals how both Pablo Casals and yoga guru Vanda Scaravelli have informed her musical ideas
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Session report: zooming in on Beethoven
Trio con Brio Copenhagen is marking its 20th anniversary by recording the complete Beethoven piano trios. Andrew Mellor attends a session for the group’s third volume, including the monumental ‘Archduke’