All Features articles – Page 22
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Premium ❘ FeatureIn the mix
The Edinburgh Quartet recently selected its 2019 apprentice, following a round of public auditions featuring performances from nine young musicians. As the training programme enters its third session, Toby Deller discovers a unique opportunity for rehearsal and performance
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Premium ❘ FeatureA measured approach
Although the many varied methods of stringed instrument making have been analysed countless times, the actual production process has hardly been questioned in its 450-year history. Luan Amorim and Amanda Schwegler use techniques taken from engineering to survey the time and cost factors – and come up with some unusual ...
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Premium ❘ FeatureWhere there’s a will there’s a way
During two months in Uganda, Pauline Harding learns about the indigenous one-stringed endingidi, and discovers how difficult it can be to learn an instrument in a country whose education system lends little support for arts training
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Premium ❘ FeatureForms of mystery
Andrea Zanrè and Philip Ihle conclude their examination of Stradivari’s moulds, with the aid of micro-CT imaging by Rudolf Hopfner, by exploring whether the Cremonese master may have used more than the twelve forms that survive in the Museo del Violino
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Premium ❘ FeatureWomen of the World
At the beginning of the 20th century, as social attitudes towards women were changing, a small number of female violinists became internationally renowned. Linking the members of this intrepid group was the famous Czech string teacher Otakar Ševčík, as Rosalind Ventris discovers
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Premium ❘ FeatureInside information
Very often neglected, the chamfers of a bow head can give intimate clues as to a maker’s working style and personal characteristics. Anton Lu and Dai-Ting Chung compare and contrast bows from the Baroque era to the present day
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Premium ❘ FeatureSmall Forces, Big Ambitions
The french orchestra recently launched its own digital-only label. The third release features soloist and conductor Thomas Zehetmair in a Haydn violin concerto alongside two string orchestra arrangements of Strauss and Bruckner, writes Gavin Dixon
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FocusThe history of the viola joke
Why pick on the poor violist? Martin Boyd searches for the origins of the viola joke
