All Features articles – Page 7
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Premium ❘ FeaturePlate archings and tone: Room to breathe
Nigel Harris presents evidence, theoretical and experimental, regarding the ‘breathing action’ of the plates
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Premium ❘ FeatureSession Report: Rachel Podger on recording C.P.E Bach
Rachel Podger talks to Toby Deller about recording C.P.E Bach with Kristian Bezuidenhout
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Premium ❘ FeatureThe blind string player: Stepping out of the shadows
Myra Ross writes about her experience as a blind string player
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Premium ❘ FeatureShostakovich Cello Sonata: A twentieth century classic
Cellist and Shostakovich scholar Elizabeth Wilson examines the puzzle of the different editions
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Premium ❘ FeatureLuthiers sans Frontières: Beyond the limits
Peter Somerford speaks to representatives of Luthiers sans Frontières
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Premium ❘ Feature‘I want to live every note of the music’ - Alina Ibragimova
Alina Ibragimova speaks to Jessica Duchen about her influences and plans for the future
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Premium ❘ FeatureThe man of property: Who was Baron Johann Knoop?
Clifford Hall tells the story of the German collector Baron Johann Knoop
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Premium ❘ FeatureSession Report: The Tippett Quartet on recording Korngold’s string quartets
Members of the Tippett Quartet talk to Jessica Duchen about recording Korngold’s string quartets
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Premium ❘ FeatureValue judgements: What is your time and labour worth?
Benjamin Schilbach gives a guide to determining an hourly rate as the cost of living rises daily
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Premium ❘ FeatureThe 12 Cellists of the Berlin Philharmonic: Better by the dozen
Katinka Welz speaks to members of the ensemble about its history and popularity
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Premium ❘ Feature‘It feels like everything coming together in life’ - Carolin Widmann
The German violinist Carolin Widmann talks to David Kettle about returning to live performance and her commitment to new music
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Premium ❘ FeatureUnder pressure: Dealing with humidity
Jacqueline Vanasse asks players and experts how to deal with the challenges of changing environments
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Premium ❘ FeatureA Massive Achievement: the 1677 ‘Romanov’ Nicolò Amati viola
Made in 1677, the ‘Romanov’ Nicolò Amati viola is one of the maker’s late masterpieces
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Premium ❘ FeatureHow did Cremonese luthiers use consistent measurements?
Simone Zopf argues that there was in fact a single unit of measurement from which most of the rest can be derived
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Premium ❘ FeatureThe Baryton: How a forgotten instrument is making a comeback
Gavin Dixon reports on the comeback of ‘the king of instruments’
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Premium ❘ FeatureGirolamo Amati II violin 1671: Last but not least
Girolamo Amati II was the final violin maker of the illustrious Amati dynasty – and possibly the most overlooked. Barbara Meyer examines a 1671 violin from his early career and contrasts it with another instrument he made 48 years later
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Premium ❘ FeatureSession Report: The Calidore Quartet on recording Beethoven’s late quartets
Peter Quantrill hears from the Calidore Quartet about how Beethoven involves intense preparation and a sense of ‘leaning into the weird’
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Premium ❘ Feature‘We learnt from her a love and respect for music’ - cellist Natalia Shakhovskaya
Oskar Falta examines Natalia Shakhovskaya’s life and hears from some of her former pupils about her exacting teaching style
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Premium ❘ FeatureLutherie in Argentina: New world wonders
Lionnel Genovart profiles some of the best-known names in the country’s violin making history
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Premium ❘ Feature‘Ambitious in the way we prepared, not about where we wanted to be’: 20 years of the Danish Quartet
Andrew Mellor talks to the Danish Quartet as they embark on their 20th-anniversary season
