All Improve your playing articles – Page 4
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FocusDouble bass technique: Back muscles, weight, and flexibility in the right hand
How to get the most out of your body when playing the double bass, by Dan Styffe, principal bassist for the Oslo Philharmonic Orchestra and professor at the Norwegian Academy of Music
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BlogsHow to be successful in an orchestral audition - LSO violinist Maxine Kwok
London Symphony Orchestra first violinist Maxine Kwok offers tips for string candidates on preparing for orchestral auditions in this interview from 2014
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Premium ❘ FeatureViola excerpts: Tricky corners
In July 1999 Charles Noble tried to ease the trauma of facing orchestra auditions; in the August 1999 issue he introduces the extracts every violist should know
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Premium ❘ FeatureAuditioning advice: Position vacant
Looking for that all-important orchestral job? Oregon Symphony violist Charles Noble provides some tips on how to impress the audition panel, in the first of two articles from July 1999
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Premium ❘ FeaturePerformance anxiety: Fighting stage demons
How often has a potential performance of a lifetime turned into a performance from hell? Are you suffering from from stage fright? Laurinel Owen gives advice overcoming this common affliction, from the December 1996 issue
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Premium ❘ FeatureOrchestra auditions: Success strategies
Orchestra auditions are the ultimate examination for many college-age players, so is there a blueprint for achievement? Femke Colborne asks pedagogues and orchestra principals how they prepare students for the experience, in this feature from May 2014
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Premium ❘ FeatureCollege auditions advice: When you’re ready
Those three little words needn’t chill your spine in the audition room: Joanne Talbot asks the examiners what they’re looking for when you stand in front of them. From September 2000
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Premium ❘ FeatureSpiccato and sautillé - two important bow strokes which are often confused
Making the bow come off the string is a delicate art. Rok Klopčič looks at various approaches in this investigation from May 2004
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Premium ❘ FeatureViolin Bow Hold: No holds barred
The position of the fingers on the bow can make all the difference to dynamics and tone production. Rok Klopčič examines the bow holds of leading violinists and pedagogues, in this feature from October 2007
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Premium ❘ FeatureBeethoven Violin Concerto: The Beethoven Letters
Detlef Hahn and Andrew Manze reveal their differing views on the Beethoven Violin Concerto in an exchange of correspondence about the new Urtext edition. Taken from the March 2010 issue
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FocusMasterclass: Jan Vogler on Beethoven Cello Sonata op.69
Cellist Jan Vogler explores the first movement of the first-ever sonata to give equal weight to both piano and cello
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Premium ❘ FeatureBaroque cello playing: Going for baroque
You don’t need years of study to play Baroque cello with style and panache, argues Daniel Yeadon in this article from June 2000 - just a willingness to think differently
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FocusHow useful are Ševčík exercises for violinists, violists and cellists?
From the archive: Violinist Ivry Gitlis, violist Bruno Giuranna and cellist Christopher Bunting share their views on the influential method
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BlogsImprovising on Bach's solo violin works
In this post originally from 2015, violinist Hugo Ticciati discusses the art of improvisation and using Bach as a basis for musical meditation
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Blogs5 pieces of advice for playing Bach by violinist Lisa Batiashvili
The artist shares her ideas about performing works of the great Baroque composer
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FocusYehudi Menuhin's marked-up copy of Bach's Solo Violin Sonata no.2
Have a small peek into the workings of Menuhin's interpretation. Taken from The Strad's May 2016 issue.
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Article10 tips for improvising on a stringed instrument
Grammy-winning American jazz violinist Zach Brock gives advice for classical string players wanting to explore the world of improvisation
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Focus5 tips from Max Grosch for improving jazz rhythm
The jazz musician shares his wisdom on ways to improve our jazz rhythm and internal sense of pulse
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VideoHow to play The Marriage of Figaro on the double bass
Italian bassist Davide Botto gives a tutorial, courtesy of String Virtuoso
