May 2020 issue

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Cover features

Baroque Set-up: In a Land without Rules

With the growth in popularity of historically informed performance, more players are requesting Baroque-style instruments – but the process of converting an instrument is fraught with uncertainty. Sarah Peck presents an overview of the Baroque set-up process, and corrects some common misconceptions along the way

130th Anniversary: Taking Stock

As The Strad celebrates its 130th anniversary this month, stringed instrument expert Philip Kass looks at the future of the industry, while music journalist Charlotte Gardner examines what might be on the cards for players

Career in Bloom: Tabea Zimmermann

For Tabea Zimmermann, 2020 represents a new flowering in her musical life. Amanda Holloway speaks to the German violist about directing her final Beethoven-Woche, her new recording projects, expanding the viola repertoire and imparting her wisdom to the next generation

Luthiers and RSI: Taking the Strain

For instrument makers, repetitive strain injuries can mean untold pain and misery – and possibly the end of their career. Luthier Cameron Robertson explains how, with the help of occupational therapist Sara Propes, he adapted his work process to guard against the problems of RSI in the future

Music Therapy: A Different Way to Help

Music therapy can be a fulfilling profession for any musician looking to make a significant impact in the community. Violinist and music therapist Joy Gravestock outlines the routes to this rewarding career and describes a typical day in the field

Cover story

130th Anniversary: Taking Stock

Playing

Sentimental Work: Maxim Vengerov

The First Violin Concerto by Shostakovich brings back memories of the Russian violinist’s first meeting with Mstislav Rostropovich – an encounter that blossomed into firm friendship