March 2023
March 2023 Magazine
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Cover features
How did Cremonese luthiers use consistent measurements?
Simone Zopf argues that there was in fact a single unit of measurement from which most of the rest can be derived
The Baryton: How a forgotten instrument is making a comeback
Gavin Dixon reports on the comeback of ‘the king of instruments’
Session Report: The Calidore Quartet on recording Beethoven’s late quartets
Peter Quantrill hears from the Calidore Quartet about how Beethoven involves intense preparation and a sense of ‘leaning into the weird’
‘We learnt from her a love and respect for music’ - cellist Natalia Shakhovskaya
Oskar Falta examines Natalia Shakhovskaya’s life and hears from some of her former pupils about her exacting teaching style
Lutherie in Argentina: New world wonders
Lionnel Genovart profiles some of the best-known names in the country’s violin making history
‘Ambitious in the way we prepared, not about where we wanted to be’: 20 years of the Danish Quartet
Andrew Mellor talks to the Danish Quartet as they embark on their 20th-anniversary season
Cover story
‘Ambitious in the way we prepared, not about where we wanted to be’: 20 years of the Danish Quartet
Andrew Mellor talks to the Danish Quartet as they embark on their 20th-anniversary season
Playing
‘My whole person was struck by extraordinary tones’: G.B. Viotti on the ‘Ranz des Vaches’
In the March 2023 issue, violinist Peter Sheppard Skærved discusses his love for this short piece by Giovanni Battista Viotti (1755–1824).
Lutherie
How did Cremonese luthiers use consistent measurements?
Simone Zopf argues that there was in fact a single unit of measurement from which most of the rest can be derived
Technique
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