All Magazine articles – Page 76
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Review
Piotr Plawner: Glass
Almost squeaky-clean and crystal-clear playing in a polished view of Glass
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Review
Albion Quartet: Dvořák
The second volume of the Albion’s Dvořák series offers some fresh insights
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Review
Pleyel Quartet Köln: Donizetti
Charming quartets from a youthful composer who became known for opera
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Review
Goldner Quartet: Bartók and Korngold
Faultless ensemble playing and rare repertoire make a welcome release
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Review
Christian Poltéra, Kathryn Stott: Sonatas and Songs
New arrangements result in gorgeously warm and intimate music making
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Review
Kitgut Quartet: ’Tis Too Late to Be Wise: String Quartets before the String Quartet
Exploring the musical roots of the nascent European string quartet
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Review
Tasmin Little: Goossens
Benchmark recording of big-hitting but underrated 20th-century concerto
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Review
Janet Sung: The Deeper the Blue
Janet Sung: The Deeper the Blue The Strad Issue: February 2020Description: Capturing the colour of infinity in this well-planned, thoughtful programmeMusicians: Janet Sung (violin) Simon Callaghan (piano) Britten Sinfonia/Jac van SteenWorks: Music by Vaughan Williams, Ravel, Dutilleux and HeskethCatalogue Number: SOMM CD 275 Inspired by a passage ...
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Review
Raphael Wallfisch: Ben-Haim, Bloch, Korngold
Plenty of gold to be mined here in an enterprising collection of concertos
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Premium ❘ Feature
Pablo Casals: Boundless Expression
The legacy of Pablo Casals is alive and well in the cello playing of today – and can be traced primarily to the methods of his colleague Diran Alexanian and favourite student Maurice Eisenberg. Oskar Falta explores the Catalonian cellist’s main vibrato theories, as communicated by his two important associates
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Premium ❘ Feature
Chinese Tonewoods: Interesting Times
For luthiers worldwide, European wood is still viewed as the best for making stringed instruments – even though China’s forests are filled with high-quality spruce and maple. Xue Peng presents the results of a study comparing the tonewoods of China and Europe, with some startling conclusions
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Premium ❘ Feature
Session Report: Freedom of Choice
For Jack Liebeck, recording the Brahms and Schoenberg violin concertos has felt like a homecoming – a chance to reflect on the life of his grandfather, and to appreciate the liberties we enjoy today, as he tells Harry White
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Premium ❘ Feature
William C. Honeyman: The People’s Violin Man
During the 19th century there was an upsurge of interest in violin playing in Britain. At its centre, writes Kevin MacDonald, was the Scottish violinist and writer William C. Honeyman – purveyor of string secrets to the masses and perhaps the inspiration for Sherlock Holmes
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Premium ❘ Feature
Karen Tuttle: The Violists’ Champion
Violists, particularly in the US, regard Karen Tuttle as a pioneer of pedagogy, tirelessly committed to improving the playing freedom of her students. As this month marks the 100th anniversary of her birth, Carlos María Solare pays tribute to her career, teaching methods and formidable strength of character
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Review
Nash Ensemble: Poetry Nearing Silence
Athletic performances of eclectic music by a British composer
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Review
Vadim Gluzman, Johannes Moser, Yevgeny Sudbin: Tchaikovsky, Babajanian, Schnittke
Vadim Gluzman, Johannes Moser: Tchaikovsky, Babajanian, Schnittke THE STRAD RECOMMENDSThe Strad Issue: February 2020Description: Amazing virtuosity but always at the service of the musicMusicians: Vadim Gluzman (violin) Johannes Moser (cello) Yevgeny Sudbin (piano)Works: Tchaikovsky: Piano Trio in A minor op.50 ‘In Memory of a Great Artist’. Babajanian: ...
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Review
Concert review: Isabelle Faust (violin) et al
Tim Homfray hears the violinist and her cohorts at Wigmore Hall, London, on 23 December 2019
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Review
Concert review: Belcea Quartet
Tim Homfray visits London’s Wigmore Hall on 18 and 20 December 2019 for two all-Beethoven recitals