In our Accessories 2024 supplement, the US electric violist and composer shares her go-to tech accessories

Martha Mooke pc Tina FinebergNYTimes

Photo: Tina Finebergr/NY Times

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I’ve been using effects and loops with my electric viola for four decades, starting with analogue, rack-mount gear. I’m currently using a compact pedal board that is home to my beloved Eventide H90 effects pedal (eventideaudio.com) plus expression pedal, my long-time looper Boss RDS300 (boss.info) and a Line 6 G10SII Digital Wireless System (line6.com) – so I can roam around the stage and also walk through classrooms and hospital wards to allow students and patients to get up close and pluck a note.

Martha Eventide 2

The Eventide H90 effects pedal 

Most pedal boards, whether at the feet of violins, violas, guitars, synths, or more, contain a plethora of effects pedals. The effects, along with the sound system, be it a single amp or stereo PA, become part of the overall instrument sound, just as an acoustic instrument changes sound depending on types of strings or bows. That is why I’ve always gone for the highest-quality gear, and why now, in particular, the Eventide H90 is the only effects pedal I need!

Subscribers to The Strad receive the 2024 Accessories supplement free with their copy of the June 2024 issue

Best of Technique

In The Best of Technique you’ll discover the top playing tips of the world’s leading string players and teachers. It’s packed full of exercises for students, plus examples from the standard repertoire to show you how to integrate the technique into your playing.

Masterclass

The Strad’s Masterclass series brings together the finest string players with some of the greatest string works ever written. Always one of our most popular sections, Masterclass has been an invaluable aid to aspiring soloists, chamber musicians and string teachers since the 1990s.

Calendars

American collector David L. Fulton amassed one of the 20th century’s finest collections of stringed instruments. This year’s calendar pays tribute to some of these priceless treasures, including Yehudi Menuhin’s celebrated ‘Lord Wilton’ Guarneri, the Carlo Bergonzi once played by Fritz Kreisler, and four instruments by Antonio Stradivari.