![Bottesini_Artwork[DIGITAL]](https://dnan0fzjxntrj.cloudfront.net/Pictures/380x253/6/8/9/36689_bottesini_artworkdigital_876468_crop.jpg)
An extract from violist Katie Yap’s performance of Aftermath by Emily Sheppard
Winner of the 2022 Freedman Classical Fellowship violist Katie Yap from Brisbane, Australia, performs Aftermath (2016) by Emily Sheppard. The Fellowship’s finals took place on 30 July in the Utzon Room at the Sydney Opera House. Yap won AUD21,000, which will go towards creating her project Multitudes.
Read: Brisbane violist wins the 2022 Freedman Classical Fellowship
Read: ‘It’s not about you; it’s about the music’: Helena Rathbone’s life lessons
Three finalists will showcase career-defining projects for the chance to win the AUD21,000 prize
Two violists each trial two brand new violas with repertoire from different periods
In exploring the past and present of string teaching in regional Western Australia, Rita Fernandes finds examples of both progress and regression, all pointing to the fact that where there is opportunity, there is demand and potential
Bernsted performs a solo work that she describes as having ‘complexity like a kaleidoscope’
Check out a string chamber version of Vaughan Williams’s beloved work for violin
![Bottesini_Artwork[DIGITAL]](https://dnan0fzjxntrj.cloudfront.net/Pictures/100x67/6/8/9/36689_bottesini_artworkdigital_876468_crop.jpg)
Oesi and pianist Andrea Vasi perform Bottesini’s Allegro Di Concerto ’Alla Mendelssohn,’ which was released as a single last week
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