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Opinion: why string players should pay attention to large muscle groups

2026-02-27T09:12:00+00:00

Fleet fingers may be the ultimate goal for string players, but it’s the larger muscle groups that form the foundations of solid technique, says cellist Davina Shum

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The final 21 days: structuring psychological preparation before high-stakes performance

2026-03-11T12:00:00+00:00

While it’s tempting to practise more in the lead up to an important event, it can actually do more harm than good! Instead, cellist Joanna Latała shares a 21-day framework for mental preparation that supports technical execution as well as artistic presence

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‘Nearly dying has a brutal way of clarifying what actually matters in music’ - Jacob Shaw on his cancer journey

2026-03-10T10:38:00+00:00

Four years on from his stage 4 cancer diagnosis, Jacob Shaw, professor of cello at the Royal Northern College of Music, reflects on what the experience forced him to prioritise and the realities of returning to performing in an industry that forgets quickly. The journey is recounted in the upcoming ...

Playing Hub

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Opinion: Why students should rehearse with musicians other than their teachers

2026-03-27T09:56:00+00:00

Cellist and teacher Naomi Yandell highlights how valuable and insightful it can be for string students to rehearse with a musician outside of their teacher – especially a pianist

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‘This piece has everything a violinist can ask for’: Frank Peter Zimmermann on the Elgar Violin Concerto

2026-03-24T10:34:00+00:00

Our April 2026 cover star speaks about the work in this exclusive video interview

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‘Never just the notes’: the musical and teaching legacy of Igor Ozim

2026-03-23T09:43:00+00:00

The violinist and pedagogue Igor Ozim died on 23 March 2024. Two years on, Dijana Ihas writes about his legacy to commemorate a teacher whose seven‑decade career shaped generations of musicians through his analytical clarity, uncompromising discipline and deep commitment to musical expression

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The lost Elegy: Juliana Soltis on rediscovering Helen Crane’s forgotten cello work

2026-03-20T12:25:00+00:00

Cellist Juliana Soltis recounts the century‑long disappearance and improbable rediscovery of Helen Crane’s An Elegy, a 1919 prize‑winning work lost in the depths of Library of Congress catalogues and revived through a cross‑institutional sleuthing effort worthy of its own mystery novel

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Frank Peter Zimmermann: ‘Music that possesses you’

2026-03-20T09:45:00+00:00

Frank Peter Zimmermann is one of the first German musicians to record Elgar’s emotionally charged Violin Concerto, in a new release with the London Philharmonic Orchestra. He speaks with Thomas Eisner, a first violinist with the LPO, about bringing the work to life

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Sacrilegious Games: TwoSet Violin brings playfulness and virtuosity to London’s Barbican

2026-03-19T13:06:00+00:00

Lauren Wesley-Smith attends the social media stars’ sold-out performance at the Barbican Centre in London on 14 March

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Premium ❘ Feature

Back to life: an 18th-century viola concerto rediscovered

2026-03-27T09:56:00+00:00

When writer and music director Gerald Elias was looking for a work to include in a recent concert, he and violist Devan Maria Freebairn unearthed a rare viola concerto by 18th-century composer Markus Heinrich Graul. They explain how they prepared for its performance and first ever recording

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In Focus: A 1695 viola by Christian Reichelt

2026-03-27T09:54:00+00:00

Klaus Martius and Enrico Weller examine the Bohemian maker’s instrument

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Premium ❘ Feature

Back to life: an 18th-century viola concerto rediscovered

2026-03-27T09:56:00+00:00

When writer and music director Gerald Elias was looking for a work to include in a recent concert, he and violist Devan Maria Freebairn unearthed a rare viola concerto by 18th-century composer Markus Heinrich Graul. They explain how they prepared for its performance and first ever recording

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Premium ❘ Focus

Sentimental Work: Mihaela Martin on the Mendelssohn Violin Concerto

2026-03-13T10:06:00+00:00

For the Romanian violinist and pedagogue, learning the Mendelssohn Violin Concerto in E minor was a formative experience, and one that all students should have the chance to enjoy

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Premium ❘ Focus

‘The spirit of debate is extremely important in a quartet’ - Edward Dusinberre’s life lessons

2026-03-06T10:15:00+00:00

The British violinist on developing your own voice and putting things in perspective

Competitions

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Haslemere International String Competition announces 2026 winners

2026-03-24T15:28:00+00:00

British violinist Sofia Demetriades wins £3,000 and a performance engagement with the English Chamber Orchestra

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Violinist Keila Wakao wins the 2026 National Schadt String Competition

2026-03-23T15:09:00+00:00

The US–Japanese violinist receives $12,000 and a performance engagement with the Allentown Symphony Orchestra

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Winners announced for the 2026 Leipzig Bach Competition

2026-03-23T12:15:00+00:00

German violinist Miha Zhu receives €20,000

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Premium ❘ News

Competitions, Awards and Appointments: April 2026

2026-03-20T09:42:00+00:00

The latest competition results, appointments and forthcoming contests

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Premium ❘ News

Premiere of the Month: Aziza Sadikova’s new concerto for two double basses

2026-03-20T09:42:00+00:00

A new double concerto channels the emotions of war

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The Strad Podcast: How to tailor the Suzuki Method to different students with violinist Meghan Faw

2024-09-19T09:05:00+01:00

The violinist shares her personal experiences with the method as both a student and a teacher

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The Strad Podcast: How to hold a masterclass with violinist Paul Huang

2024-09-12T08:49:00+01:00

The violinist speaks about his teaching approaches in a unique learning experience, in the third part of our four-part education-themed podcast series

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The Strad Podcast: How to teach collaborative skills with violinist Annie Fullard of the Cavani Quartet

2024-09-05T09:47:00+01:00

‘We should live in a chamber music world’ - the violinist speaks about the importance of collaboration inside and outside of the practice room, in the second episode of our four-part education-themed podcast series

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The Strad Podcast: How to practise effectively with violinist Ray Chen

2024-08-29T10:06:00+01:00

The first in our new four-part education themed podcast series features our September 2024 cover star

Competitions

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Haslemere International String Competition announces 2026 winners

2026-03-24T15:28:00+00:00

British violinist Sofia Demetriades wins £3,000 and a performance engagement with the English Chamber Orchestra

Screenshot 2026-03-23 141824

Violinist Keila Wakao wins the 2026 National Schadt String Competition

2026-03-23T15:09:00+00:00

The US–Japanese violinist receives $12,000 and a performance engagement with the Allentown Symphony Orchestra

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Winners announced for the 2026 Leipzig Bach Competition

2026-03-23T12:15:00+00:00

German violinist Miha Zhu receives €20,000

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In Focus: A 1695 viola by Christian Reichelt

2026-03-27T09:54:00+00:00

Klaus Martius and Enrico Weller examine the Bohemian maker’s instrument

APRIL Grid posts (4)

‘A Strad can throw you off’: Frank Peter Zimmermann on his instruments and bows

2026-03-25T09:43:00+00:00

Our April 2026 cover star discusses the tools of his trade

APRIL Grid posts (1)

Inveterate innovator: Louis Noebe

2026-03-20T09:44:00+00:00

Despite success in his own time, and a penchant for experimentation, German maker Louis Noebe is an almost forgotten figure in lutherie history. Clifford Hall examines his life and achievements

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US school repair shops: close to home

2026-03-13T10:08:00+00:00

In US public school music programmes, broken instruments can harm students’ learning and create stress for teachers. Rita Fernandes discovers the schools that are tackling the problem head on by offering free repairs via in-house repair shops

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My Space: Nurgül Çomak’s Istanbul workshop

2026-03-13T10:08:00+00:00

The Turkish maker presents her workshop in the cosmopolitan city

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Making Matters: Smoke treatment in Stradivari's instruments

2026-03-13T10:07:00+00:00

Did Stradivari apply a smoke treatment to his tonewood before starting an instrument? Joseph Nagyvary argues that he did, and examines how the process could benefit luthiers today

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Concert review: Augustin Hadelich (violin) Philadelphia Orchestra/Dalia Stasevska

2026-03-20T16:18:00+00:00By

Bruce Hodges hears the performance of Barber, Adams and Mahler at Philadelphia’s Marian Anderson Hall on 10 January 2026

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Concert review: Yo-Yo Ma (cello) Philadelphia Orchestra/Dalia Stasevska

2026-03-20T16:17:00+00:00By

Bruce Hodges visits Philadelphia’s Marian Anderson Hall on 14 January 2026 for the performance of Dvořák, Skoryk, Akimenko and Mendelssohn

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Concert review: Laura Samuel Memorial Concert

2026-03-20T16:16:00+00:00

Hattie Butterworth attends the tribute to the respected violinist at London’s Wigmore Hall on 4 January 2026, featuring works by Haydn, Brahms, Mendelssohn and David Raksin

Octets

The Strad Recommends: Ébène Quartet, Belcea Quartet: Octets

2026-03-27T09:54:13.387+00:00By

Two A-lister quartets triumph in an unorthodox pairing

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The Strad Recommends: Chiaroscuro Quartet: Beethoven

2026-03-27T09:54:05.853+00:00By

A stellar quartet breathes new life into mighty middle-period Beethoven

English Cello Works

The Strad Recommends: Andreas Brantelid: English Cello Works

2026-03-27T09:53:59.84+00:00By

A memorable and highly personal take on the Elgar Concerto

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Book review: The Women’s Orchestra of Auschwitz: A Story of Survival

2026-03-13T09:43:00+00:00By

Anne Inglis reviews Anne Sebba’s moving history of the all-female ensemble that performed in the notorious Nazi death camp

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Book review: Bach: The Cello Suites

2026-03-13T09:41:00+00:00By

Janet Banks reads Edward Klorman’s analysis of the six legendary solo works for cello by Johann Sebastian Bach

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Book review: Hands, Wrists, Fingers: Creative Health for Musicians

2026-03-13T09:40:00+00:00By

Philippa Bunting reads Pedro de Alcantara’s volume on boosting health for the curious musician, including some novel arm, wrist, hand and finger exercises for string players

Debate

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Opinion: Why students should rehearse with musicians other than their teachers

2026-03-27T09:56:00+00:00

Cellist and teacher Naomi Yandell highlights how valuable and insightful it can be for string students to rehearse with a musician outside of their teacher – especially a pianist

GettyImages-492908166

Opinion: why string players should pay attention to large muscle groups

2026-02-27T09:12:00+00:00

Fleet fingers may be the ultimate goal for string players, but it’s the larger muscle groups that form the foundations of solid technique, says cellist Davina Shum

Debate

GettyImages-491361230

Opinion: Why students should rehearse with musicians other than their teachers

2026-03-27T09:56:00+00:00

Cellist and teacher Naomi Yandell highlights how valuable and insightful it can be for string students to rehearse with a musician outside of their teacher – especially a pianist

GettyImages-492908166

Opinion: why string players should pay attention to large muscle groups

2026-02-27T09:12:00+00:00

Fleet fingers may be the ultimate goal for string players, but it’s the larger muscle groups that form the foundations of solid technique, says cellist Davina Shum

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  • The Strad Directory is the essential resource for the string music world, with over 2,300 listings providing information on string businesses across North and South America, Europe, Africa, Asia and Australia.

    Whether you are a string player searching for a new instrument or a business owner looking to reach your target audience, the Strad Directory remains the most comprehensive and user-friendly resource for the string music world.