All 2017 articles
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Piecing together the history of the
'Mara' Stradivari celloIts fate was almost to be consigned to the murky depths of an Uruguayan river but it continues to delight and inspire audiences of the present day. Alessandra Barabaschi delves into the dramatic life of the ‘Mara’ Strad
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Renaud Capuçon: the mentee becomes the mentor
This has been a year of achievements for Renaud Capuçon – from celebrating the fifth anniversary of his Aix Easter Festival to winning an ECHO Klassik award – yet the French violinist is happiest when mentoring the next generation of talented musicians, finds Charlotte Gardner
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The Strad December 2017 issue is out now
How the social and political upheavals of 18th-century Europe affected Stradivari and his later instruments
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Advice I'd give my younger self: Nadia Sirota
Collaboration and idiosyncrasy are focuses for the American violist who advises musicians to ebrace what makes their sound unique
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Is there such a thing as a distinctly American orchestral string sound?
During the 20th century, American orchestras earned a reputation for their technical brilliance and forthright tone, but could such a cultural melting pot ever produce a national way of playing? Charlotte Smith asks musicians and conductors whether the US string sounds of the past endure today
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Frank Huang's road to the New York Philharmonic
This season marks two years since Frank Huang became concertmaster of the New York Philharmonic. But, as Ken Smith discovers, the Chinese-born musician might have quit the violin as a teenager had it not been for the influence of Donald Weilerstein, who taught him to think beyond the technical proficiency ...
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The Strad November 2017 issue is out now
Celebrating the centenary of Jascha Heifetz’s historic US debut at Carnegie Hall
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String trio repertoire from Haydn to the present day
To accompany The Strad’s October 2017 issue cover feature on the Trio Zimmermann, Geraint Lewis looks at the available repertoire for this Cinderella of string genres
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What I’d tell my younger self – Joel Krosnick
Two years after his 42-season career with the Juilliard Quartet came to an end, the American cellist reflects on lessons learned
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Trio Zimmermann discuss how forming the group has changed them as musicians
A decade after its founding, Trio Zimmermann has put the string trio back in the spotlight. How does this all-star ensemble function, and can it save the string trio from obscurity? Andrew Mellor went to meet its members