How to build strength and flexibility for a truly agile left hand with Adriana LaRosa Ransom, professor of cello and string project director at Illinois State University, US
Practical tips to help you master the challenges of this most fundamental of repertoire
The cellist and Boston Conservatory chair of strings considers the value of the composer's etudes
The British musician discusses how best to tackle and overcome a difficult issue for so many players
The Slovak cellist Jozef Lupták, artistic director of the Konvergenice festival in Bratislava, blends Bach, improvisation and singing
The British cellist reveals how he overcame the shoulder complaint that threatened his career. From the January 2009 issue
The New England Conservatory cello professor describes how to vary hand position to produce your desired vibrato sound
Cellist Redi Hasa, a member of Ludovico Einaudi’s touring group, has put together an album that tells his personal story
Ma is artistic director of the annual training programme, which takes place in Guangzhou, China
From the cellist Katie De La Mare (performer on this video): ‘So I’m stuck in a room with a cello and a bunch of puppets. This was only a matter of time… 😂 (Thanks to Roxanne Scott for filming and screaming!)’
Exercises and advice to help build musical awareness and understanding
The Elgar Cello Concerto has played an important part in some of the US cellist and pedagogue’s most memorable, emotional and significant concerts
In the years since Gregor Piatigorsky first set out to boost the cello’s profile, the instrument has seen a massive growth in popularity, particularly through the efforts of crossover artists, says Yoshika Masuda
Named after the cellist who helped to popularise his instrument in the US, the Piatigorsky International Cello Festival held its second quadrennial edition in May. Chloe Cutts was in Los Angeles and spoke to founder and artistic director Ralph Kirshbaum about his vision for the event
Cello celebrities gathered en masse to share their music and wisdom at the 2012 Piatigorsky Festival, but the real superstar was the man they came to honour, as Ariane Todes reports
The German cellist looks at the importance of connection, colour and line in the work’s third movement
To mark the centenary of the completion and premiere of Elgar’s Cello Concerto, cellist Raphael Wallfisch reflects upon the period and circumstances surrounding the work’s creation and subsequent life
Using ‘difference tones’ to perfect your intonation when tackling double stopping passagework
A system of emoticons and words you can use to help you remember important technical ideas, by Amit Peled, cello faculty at the Peabody Conservatory of The Johns Hopkins University