All Editorial articles
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Review
Zoltán Székely: Bartók, Glazunov
A revered Hungarian violinist celebrated as soloist and chamber musician
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Review
Guy Braunstein: Braunstein, Delius, Vaughan Williams
Two works by English masters rub shoulders with the Beatles
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Review
Daniel Lozakovich: Grieg, Franck, Shostakovich, Shor/Pletnev
Youth and experience combine with mixed results
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Review
Carmina Quartet: Huber
Music by a neglected Romantic figure proves to be a game of two halves
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Review
Črtomir Šiškovič: Pupils of Tartini Vol.3
A passion project continues, but with questionable historical fidelity
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Review
Hanson Quartet: Schumann
Plenty of accomplishment on display as a quartet makes its label debut
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Review
Book review: Teaching Violin, Viola, Cello, and Double Bass: Historical and Modern Pedagogical Practices
Philippa Bunting peruses a volume on historical teaching methods penned by US educators Dijana Ihas, Miranda Wilson and Gaelen McCormick
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Review
Book review: String Virtuosi in Eighteenth-Century Naples: Culture, Power, and Music Institutions
Robin Stowell appraises Guido Olivieri’s monograph on the great players of the mid-Italian city during the Enlightenment era
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Review
Book review: Employment and Vulnerabilities in the World of Orchestral Musicians: Symphonic Metamorphoses
Mark Pemberton, former chief executive of the Association of British Orchestras, gives a critical apprasial of Heather Kurzbauer’s volume on the running of an orchestra
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Review
The Strad Recommends: Kreutzer Quartet: The Kreutzer Effect
Musical comradeship meets wonder at the natural world to telling effect
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Review
The Strad Recommends: Jean-Guihen Queyras: C.P.E. Bach, Kraft
Plenty of contrast on a deliciously unorthodox Classical-era album
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Review
Concert review: Gould Piano Trio
Tim Homfray visits London’s Wigmore Hall for the performance of Brahms and Dvořák on 16 June 2024
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Review
Concert review: Chiaroscuro Quartet
Edward Bhesania pays a visit to London’s Kings Place for the recital of Haydn and Beethoven on 5 June 2024
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Review
Concert review: Pavel Haas Quartet
Tim Homfray visits London’s Wigmore Hall on 9 June 2024 for a performance of Smetana and Janáček
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Review
Concert review: Sheryl Staples, Frank Huang (violins) Cynthia Phelps (viola) Carter Brey (cello) Igor Levit (piano) Christopher Martin (trumpet) New York Philharmonic/Jaap van Zweden
Leah Hollingsworth hears the performance of Mozart, Shostakovich and Brahms in David Geffen Hall at New York’s Lincoln Center on 1 June 2024