All Editorial articles
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Review
Yuuko Shiokawa: Brahms, Schumann
A husband-and-wife team fail to ignite in passionless performances
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Review
Ning Feng: Prokofiev, Shostakovich
Virtuosity is a given in a pair of superbly characterised concertos
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Review
Casals Quartet: Shostakovich
A quartet renowned in Classical repertoire ventures into the 20th century
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Review
Jacopo Ristori, Viola de Hoog et al: In Copisteria del Conte
Lightweight fare is elevated by musical panache
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Review
Concert review: Maxim Vengerov (violin) Lawrence Power (viola) Orpheus Chamber Orchestra
Leah Hollingsworth attends an all-Mozart programme with the violinist and violist on 7 November 2024 in the Isaac Stern Auditorium at New York’s Carnegie Hall
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Review
Concert review: Midori (violin) and Seattle Symphony/Anja Bihlmaier
US correspondent Thomas May reviews Midori’s performance of the Brahms concerto with the Seattle Symphony under guest conductor Anja Bihlmaier on 23 January 2025.
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Review
The Strad Recommends: Roman Simovic: Bartók, Rózsa
The LSO’s long-time leader dazzles in the spotlight
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Review
The Strad Recommends: Alisa Weilerstein: Brahms
A long-standing partnership reaps rich rewards
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Review
The Strad Recommends: Rachel Barton Pine: Corelli
A chameleonic violinist inspires in the Italian Baroque
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Review
Concert review: La Serenissima, Adrian Chandler (violin)
Tim Homfray visits London’s Wigmore Hall on 18 November 2024 for the performance of Brescianello, Gregori, Gnocchi, Vivaldi, Valentini, Facco and Durante
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Review
Concert review: Manchester Collective, Abel Selaocoe (cello, vocals)
Charlotte Gardner hears a mash-up between East and West African, Baroque, jazz and modern music, composed and improvisedat London’s Queen Elizabeth Hall on 14 November 2024
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Review
Concert review: Gil Shaham (violin)
Tim Homfray attends the solo performance of Bach, Scott Wheeler, Max Raimi and Reena Esmail at London’s Wigmore Hall 13 November 2024