All Lutherie articles – Page 25
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GalleryFrom the Archive: a violin by J.B. Guadagnini, Parma 1769
This illustration of a violin by J.B. Guadagnini was published in The Strad, November 1938. The following text is extracted from the article accompanying the photographs
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Premium ❘ FeatureTrade Secrets: Designing and making a ferrule
This small part of a bow frog can have a huge effect on the bow’s final overall style
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Premium ❘ FeatureMaking Matters: Change and decay?
Matthieu Besseling argues we are currently seeing a ‘second transition period’ in instrument and bow making, analogous to the changes at the end of the 18th century – but are they all to the good?
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NewsAustralian Chamber Orchestra acquires ‘ex-Dollfus’ Stradivari violin
The 1732 instrument will be played by ACO principal violin Helena Rathbone
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News1714 ‘da Vinci, ex-Seidel’ Stradivari violin sells for $15.34m
The sale of the violin heard on the soundtrack to The Wizard of Oz constitutes the second-highest amount ever paid for a Stradivari violin at auction
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GalleryPhoto gallery: Daniela Gaidano’s Violoncello da Spalla
Italian luthier Daniela Gaidano offers an introduction to her ‘shoulder cello’, pictures of the construction process, as well as a video of the instrument in action
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NewsFirst ‘del Gesù’ violin auctioned in a decade fetches £3.5 million
The 1736 Guarneri ‘del Gesù’ violin was sold on Friday 3 June by Aguttes auction house in France
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NewsUK ivory ban comes into force
As of 6 June, anything made of or containing ivory must be registered before a sale in Britain
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Premium ❘ FeatureIn Focus: A 1904 violin by Erminio Montefiori
Alberto Giordano looks at the self-taught Italian luthier’s 20th-century instrument
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NewsStradivari’s c.1679 ‘Hellier’ violin to be sold at auction
The inlaid instrument will go under the hammer at Christie’s London on 7 July 2022
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Premium ❘ FeatureFluorescence: Reflected glories
Viewing instruments in different kinds of light has become standard in documentation and assessment. Leonhard Rank explains how, in addition to ultraviolet light, researchers can now use infrared, and even parts of the visible spectrum, to reveal even more secrets
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Premium ❘ FeatureBaroque Set-up: In a Land without Rules
With the growth in popularity of historically informed performance, more players are requesting Baroque-style instruments – but the process of converting an instrument is fraught with uncertainty. Sarah Peck presents an overview of the Baroque set-up process, and corrects some common misconceptions along the way
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Premium ❘ Feature‘And the thieves got clean away’: From the archive: June 1892
An anonymous article entitled ‘Fiddle Dealers, Beware!’ reveals how two of London’s best-known violin dealers were swindled by a pair of European con artists
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Premium ❘ FeatureMaking Matters: Historically Informed?
Are the gut strings used in HIP really true to those used by 18th- and 19th-century players? Kai Köpp examines the technical reasons why today’s strings might sound quite different from their predecessors
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VideoThe Essence of a Sound: luthier Hans Johannsson at TEDx Reykjavik
Icelandic violin maker Hans Johannsson gives a talk exploring ‘a fascinating juxtaposition of an age-old traditional craft on the one hand and the pursuit of science and technology on the other’, filmed at a TEDx event at the Tjarnarbíó theatre in Reykjavik on 4 November 2018. The listing for the ...
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NewsObituary: Tom Blackburn (1944-2022)
The London-based luthier and restorer ran Blackburn Stringed Instruments for more than 50 years
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GalleryPhoto gallery: Guy Johnston granted use of ‘Segelman’ Stradivari cello
Take a close-up look at a cello made during 1692, when Stradivari was 48 years old
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Premium ❘ FeatureAugust Rau: The old-fashioned way
At a time when bow making in Germany was leaning towards industrialisation, August Rau kept up the tradition of independent craftsmanship. Gennady Filimonov tells the story of his long career and examines several examples of his work
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Premium ❘ FeatureMaking Matters: Shaping the head
Violin makers have always been aware of physical issues like repetitive strain injury – but it’s just as important to take care of their mental health and wellbeing. John Beames examines some of the most common problems, and suggests some ways to combat them
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Premium ❘ FeatureMaking Matters: Hidden in plain sight
The Stradivari moulds preserved at Cremona’s Museo del Violino still have secrets to give up. David Beard re-examines all 17 survivors to find how they reveal details from rib heights to the maker’s working method
