London-based string players aim to make the TV and live session scene less about appearance and more reflective of the diversity of musical talent
A new collective of London-based string players aims to make the
TV and live session scene less about looks and more reflective of
the depth and diversity of musical talent in the city. 'We value
substance and style,' said violinist and violist Abigail
Dance, co-founder of the London String Collective.
Dance (pictured, centre, with fellow members of the collective) was
first inspired to set up a group after some of her students
complained that they would never get to play the violin with their
favourite performers on TV because 'the people playing on TV didn’t
look like them'. Her conviction was strengthened when, along with
some string-playing friends, ?she was approached for work, 'but
instead ?of the agents wanting evidence of how well we could play,
they sent through what amounted to a modelling contract.'
The collective was formed when she found a collaborator in musical
director and producer Mahlon Rhamie, who had been disappointed by
the quality of agency-sourced session musicians. 'He decided that
the only option was to find someone who could set up a pool of
musicians with him,' said Dance.
The collective launched with 15 players, including both women and
men. They are all classically trained but have a ?variety of
backgrounds in jazz, gospel, big band and world music. There is
also a diversity in ages, from mid-20s to early 40s, which Dance
views as important in challenging the upper age caps that, she has
observed, often accompany the looks requirement in session
jobs.
She said that the interest shown in the group so far by producers
has been encouraging: 'The projects we've been offered show that
there is a desire for something new, as well as a place for
the more traditional all-girl group.'
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photo: Reynaldo Trombetta
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