Discover more episodes of The Strad Podcast here
This episode is brought to you in association with For-Tune Strings.
Today’s podcast guest is cellist Anastasia Kobekina, who was lucky enough to have the opportunity to help develop For-Tune’s new Opal Gold cello strings, through a series of trials and feedback. Not many string players get the chance to have direct input on their ideal set of strings: Anastasia shares with online editor Davina Shum what she looks for in an ideal string, including the type of sound and playability.
Anastasia plays the 1698 ’De Kermadec-Bläss’ Stradivari cello courtesy of the Stradivari Foundation Habisreutinger.
If you have an opinion on an issue raised in The Strad or on The Strad online, why not write us a letter? If yours gets chosen as The Strad’s Letter of the Month, a set of For-Tune Opal Titan violin or cello strings will be all yours! Email thestrad@thestrad.com
Read: Anastasia Kobekina granted use of 1698 Stradivari cello
Read: Gut strings: A strong stomach for strings
Read: Players’ string choices: Strings of the stars
Listen to more episodes of The Strad Podcast here
Fandango Per Violoncello Solo
Giovanni Sollima
Anastasia Kobekina, cello
Ellipses
Mirare MIR 604
Photo credit: Julia Altukhova
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