![Bottesini_Artwork[DIGITAL]](https://dnan0fzjxntrj.cloudfront.net/Pictures/380x253/6/8/9/36689_bottesini_artworkdigital_876468_crop.jpg)
In The Strad's October 2014 issue, we report on the investigation into a recently rediscovered contralto viola by Girolamo Amati, which involved CT scanning, macro photography and 3D imaging. This 360-degree rendering of the viola's interior was made by Violinforensic, using scans taken at the Vienna Micro-CT Lab.
The Strad's October 2014 issue is out now. Subscribe to The Strad or download our digital edition as part of a 30-day free trial. To purchase single issues click here.
Made in 1677, the ‘Romanov’ Nicolò Amati viola is one of the maker’s late masterpieces
Girolamo Amati II was the final violin maker of the illustrious Amati dynasty – and possibly the most overlooked. Barbara Meyer examines a 1671 violin from his early career and contrasts it with another instrument he made 48 years later
In this extract from September 2017, Harry Mairson introduces the ’Digital Amati’ software used in conjunction with Euclidean geometry to design string instruments
The Sarabande from Bach’s Cello Suite no.6 is the latest single to be released from the cellist’s upcoming album
Bernsted performs a solo work that she describes as having ‘complexity like a kaleidoscope’
Check out a string chamber version of Vaughan Williams’s beloved work for violin
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