![Bottesini_Artwork[DIGITAL]](https://dnan0fzjxntrj.cloudfront.net/Pictures/380x253/6/8/9/36689_bottesini_artworkdigital_876468_crop.jpg)
In this video South African double bassist James Oesi plays the two Bourrées from Bach’s Cello Suite no.4. The performance was filmed at the Bimhuis Amsterdam in 2016 for ‘Vrije Geluiden’ (Free Sounds), a programme on Dutch public broadcaster VPRO.
Oesie play an 1872 instrument by Giuseppe Baldantoni.
![Bottesini_Artwork[DIGITAL]](https://dnan0fzjxntrj.cloudfront.net/Pictures/100x67/6/8/9/36689_bottesini_artworkdigital_876468_crop.jpg)
Oesi and pianist Andrea Vasi perform Bottesini’s Allegro Di Concerto ’Alla Mendelssohn,’ which was released as a single last week
The French-Syrian double bassist, who turns 90 today, considers his unique technical journey, the inspiration he drew from crustaceans, and the benefits of playing a waiting game
Eighteen-year-old Cuban/Jamaican violinist Ellinor D’Melon plays Pablo de Sarasate’s Introduction et tarantelle op.43 with pianist Vadim Gladkov at the Sony Auditorium in Madrid, Spain.
Interviewed for The Strad August 2018, violinist Anne-Sophie Mutter discusses Penderecki’s Second Violin Concerto, a work that harbours undiscovered secrets
In this film from 1962, Leonard Bernstein conducts cellist Zara Nelsova and the New York Philharmonic in a performance of Ernest Bloch’s Schelomo. Nelsova had a close relationship with the composer, who dedicated his three unaccompanied Cello Suites to her.
As Endellion Quartet violinist Andrew Watkinson prepares to lead the Guildhall String Ensemble, he tells us his favourite works for strings – and we put them in a convenient playlist. From 2019
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