All Features articles
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Celebrating South African music: the Signum Quartet
Carlos María Solare meets the members of the Signum Quartet towards the end of their two-year-long project to commission and perform brand new works that mark 30 years since the fall of apartheid in South Africa
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Session Report: Nemanja Radulović on the sunny side of Bach
Violinist Nemanja Radulović speaks to Tom Stewart about his no-preconceptions approach to arranging and recording some of Bach’s concertos and shorter pieces, and finding just the right balance of novelty and reverence
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Merchants of Venice: Venetian lutherie
In the 16th century, the Republic of Venice was a hotbed of innovation for stringed instrument makers – and the members of the Linarol family were at the heart of the trade. Stefano Pio explores the archives to reveal their fascinating and often colourful lives and careers
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Violinist Ning Feng: Truth and substance
There is seemingly nothing the Chinese-born, Berlin‑based violinist Ning Feng can’t do, from dazzling Paganini interpretations to Bach to 20th‑century concertos. He talks to Michael White about his influences, his future plans and his desire to pass on his musical wisdom to the next generation
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The cosmopolitan virtuoso: Ivan Mane Jarnović
Tanja Goldberg examines the life and legacy of the violin virtuoso and composer Ivan Mane Jarnović, who died 220 years ago, and whose influence on the development of the violin concerto and violin playing in the 18th century has long lain unrecognised
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An unforgotten talent: 100 years of violinist Leonid Kogan
The matchless Soviet violinist Leonid Kogan was born 100 years ago on 14 November 1924. To mark the centenary, Tully Potter examines the life of ‘the greatest violinist’ he’s ever heard in concert
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In the zone: a one-person double bass repair method
For luthiers working alone, double bass repair can be a difficult task to take on. US bass maker Nick Lloyd presents his ‘Zone method’ for re-gluing a bass top using just one pair of hands
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Like father, like daughter: the Giorgis family of violin makers
New research in the Turin archives has uncovered fascinating insights into the life of the violin maker Nicola Giorgis. Claudio Amighetti reveals why Giorgis’s daughter Francesca Maria took over his workshop upon his death in 1745
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Rachel Barton Pine: ‘What we’re doing today is the history of tomorrow’
As she turns 50, the American violinist Rachel Barton Pine speaks to Ariane Todes about her unwavering enthusiasm for discovering, and communicating, the artistic integrity in everything she does
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Musical service: String groups in the US military
Rita Fernandes hears from musicians in the United States Air Force, Army and Marine Corps and travels to Washington DC to discover the little-known world of string playing in the US military
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Session Report: violinist Fenella Humphreys and composer Adrian Sutton on a new violin concerto
Being diagnosed with an incurable cancer spurred on War Horse composer Adrian Sutton to write a new violin concerto for Fenella Humphreys. Michael White hears from both composer and soloist about recording the work
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The DIY approach: Self-taught string playing
Can you teach yourself the violin? Violinist, teacher and author Celia Cobb believed it to be impossible – until a new book made her re-evaluate some of her assumptions
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The Strad Calendar 2025: Canada’s crème de la crème
The Strad Calendar 2025 celebrates the work of the Canada Council for the Arts, which has been matching players with fine instruments for 40 years. Christian Lloyd takes a look at the collection’s highlights
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Session Report: Cellist Matthew Barley on recording Light Stories
Cellist Matthew Barley’s album Light Stories was inspired by a life-changing incident he experienced as a teenager. He tells Charlotte Gardner how he put together its deeply personal narrative and recorded it in his home studio
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50 years of the Takács Quartet
As the Takács Quartet celebrates its 50th birthday, its members talk to Pauline Harding about the ensemble’s legacy, the intangible ‘fifth spirit’ that has shaped its character even as its players have changed over the decades, and the importance of teaching and other projects and challenges
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From the land of a hundred violins: Amedeo Simonazzi
The luthier Amedeo Simonazzi was born into a region with a strong native musical tradition – which is almost forgotten today. Stefano Pio reveals how his surroundings influenced his career
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Régis Pasquier: the complete violinist
Now nearing his ninth decade, the great French violinist Régis Pasquier has enjoyed a dazzlingly varied 65-year career taking in everything from core repertoire to contemporary music to jazz. He shares some of his memories over tea in Paris with Jessica Duchen
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Centre of attention: centring and alignment
Inspired by the work of the Cremonese masters, David Folland explains his method for finding the centre line of an old instrument
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A unique pairing: the ‘Paderewski, Wendling’ violin
In the first of a two-part article, Balthazar Soulier examines an extraordinary violin that displays the hallmarks of both Guarneri ‘del Gesù’ and Domenico Montagnana
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Mother tongues: Global Suzuki Method
How can the Suzuki Method be relevant in places where children might never have heard of Twinkle? Peter Somerford speaks to teachers who have adapted their approach to cultures with their own strong musical traditions, or with differing expectations of parental involvement