All Focus articles – Page 17
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Focus
A blizzard of brilliance: Postcard from Novosibirsk
Now in its fifth year, the Trans-Siberian Art Festival continues to attract both acclaimed artists and exciting new talent to the snowy Russian city of Novosibirsk, from where Tom Stewart reports
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News
Gallery: X-raying a Strad case
Dimitri Musafia shares what is likely the first X-ray of a case from the Stradivari workshop
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Focus
Geared pegs: why isn't everyone using them?
Geared pegs have their advocates and detractors but, as Tom Stewart finds out, the innovation has benefits for a broad range of players, from young students to seasoned professionals
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Focus
From the archive: the 1697 'Molitor' Stradivarius
This article by Philip Kass was first published in the December 2010 issue, soon after the instrument had been sold to Anne Akiko Meyers for a then-record $3.6m
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Debate
How to find time to practise as a busy music teacher
Performance coach Travis Baird recommends three key strategies for effective practice when everyday commitments seem to leave little time
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Focus
From the archive: a violin by Santino Lavazza, c.1720
In the January 2007 issue, John Dilworth took a close look at a violin by one of the lesser known Milanese makers of the 18th century
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Focus
My Space: Benedict Puglisi, Melbourne, Australia
A peek into lutherie workshops around the world with The Strad. From the May 2018 issue [click + to zoom]
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Focus
Ray Chen on Strads, modern instruments and finding his sound
In the second extract from his cover feature interview in the May 2018 Strad, the violinist talks playing Strads and modern instruments, and personalising his sound
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Focus
The ‘Vieuxtemps’ Guarneri ‘Del Gesù’
Currently the world’s most expensive violin, the 1741 ‘Vieuxtemps’ Guarneri ‘del Gesù’ is in a remarkable state of preservation, considering it has been in use for most of its life. In this extract from the first of a two-part article, Terry Borman introduces the instrument’s most celebrated owner
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Focus
Leila Josefowicz: on choosing to play a new violin
The violinist talks about giving up on old Italian instruments and opting for a bespoke violin by maker Sam Zygmuntowicz
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Focus
From the archive: the 1865 ‘Caraman de Chimay’ Vuillaume
In the February 2010 issue, Tim Ingles took a close look at a decorated violin which was part of a now separated quartet of instruments
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Focus
Masterclass: Leon Bosch on Dittersdorf’s Double Bass Concerto no.2, first movement
Mastery of the bow, carefully planned fingerings and a resonant sound are the keys to performing this challenging piece. From the September 2014 issue
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Focus
A beginner's guide to identifying a Stradivarius
Figuring out the maker of an unknown violin takes a trained eye and a detective’s skill, says luthier John Dilworth. Here he gives his personal perspective on the clues and processes of elimination that help experts pinpoint an instrument’s origins. From the July 2010 issue
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Focus
In my opinion, the Finzi Cello Concerto outshines the Elgar
British cellist Raphael Wallfisch explains why the Finzi concerto is a piece close to his heart – and why he continues to champion it to orchestras around the world
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Focus
Postcard from: the String Quartet Biennale Amsterdam
Even the grim January weather could do little to dampen enthusiasm as 21 top ensembles gathered for a series of concerts and masterclasses, writes Tim Homfray
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Gallery
From the archive: a c.1720 violin by Carlo Bergonzi
John Dilworth examines an early violin by the Cremonese maker, which used to belong to Paganini. First published in the April 2006 issue
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Focus
Alfonso Mosesti, 1924-2018
RAI National Symphony Orchestra concertmaster and prolific concerto soloist with admirers including Karajan, Barbirolli and Sawallisch
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Premium ❘ Feature
Masterclass: Jian Wang on Brahms’s Cello Sonata No.2 in F Major, second and third movements
The Chinese cellist gives advice on how to play the middle movements of this colourful, passionate work, and calls on cellists’ capacity to play cantabile
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Focus
Degrees checklist
Questions to help you find the right course and to prepare you for life as a student