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EXPLORE PREMIUM THIS WEEK
Masterclass: Brahms Cello Sonata no.1 in E minor op.38, third movement
This fugal final movement requires elements of restraint where climaxes must be managed carefully, says cellist Steffan Morris
Making Matters: how to care for your bow hair
Musicians might not realise how important the quality and condition of their bow hair can be. Canisa Sie gives a guide to caring for this vital part of a string player’s arsenal
A master of his craft: Simone Fernando Sacconi
Born 130 years ago, Simone Fernando Sacconi was a brilliant violin maker and restorer, a respected teacher and, latterly, a celebrated author. Friends, colleagues and former students share their memories with Peter Somerford
Technique: artistry with the bow
British cellist Hannah Roberts explores the expressive possibilities of the right hand
My Space: Glyn Jones’s Bala workshop
The luthier presents his shop, located in North Wales
Masterclass: Brahms Cello Sonata no.1 in E minor op.38, third movement
This fugal final movement requires elements of restraint where climaxes must be managed carefully, says cellist Steffan Morris
Making Matters: how to care for your bow hair
Musicians might not realise how important the quality and condition of their bow hair can be. Canisa Sie gives a guide to caring for this vital part of a string player’s arsenal
Featured People
The greatest storyteller: Itzhak Perlman at 80
As he turns 80, the legendary violinist Itzhak Perlman speaks to Ariane Todes about everything from his stellar career to his teaching ethos, and his approach to social media stardom
Alisa Weilerstein: fragments of the future
The US cellist Alisa Weilerstein talks to Peter Quantrill about reinventing the solo recital for a multimedia age, and working with living composers to renew the concerto repertoire
Tabea Zimmermann: climb every mountain
German violist Tabea Zimmermann chats with Pauline Harding about auditions, competitions, her teaching philosophy, what she’s learnt from contemporary music – and how a combination of working with students and performing has enabled her to reach ever greater heights of string playing
The greatest storyteller: Itzhak Perlman at 80
As he turns 80, the legendary violinist Itzhak Perlman speaks to Ariane Todes about everything from his stellar career to his teaching ethos, and his approach to social media stardom
Alisa Weilerstein: fragments of the future
The US cellist Alisa Weilerstein talks to Peter Quantrill about reinventing the solo recital for a multimedia age, and working with living composers to renew the concerto repertoire
Tabea Zimmermann: climb every mountain
German violist Tabea Zimmermann chats with Pauline Harding about auditions, competitions, her teaching philosophy, what she’s learnt from contemporary music – and how a combination of working with students and performing has enabled her to reach ever greater heights of string playing
Learn From The Experts
Learn From The Experts
Masterclass: Brahms Violin Concerto, second movement
The feeling of rhetoric and a stream of consciousness must be represented when approaching this movement, says violinist Liza Ferschtman
Long Reads
Amaryllis Fleming: A life less ordinary
To mark a hundred years since the birth of Amaryllis Fleming in December 1925, Oskar Falta takes a look at the British cellist’s colourful life and influential career, and hears from one of her pupils – Raphael Wallfisch
Sofia Gubaidulina: a musical offering
Gavin Dixon examines the spiritual, visionary string works of the Russian–Tatar composer Sofia Gubaidulina, who died earlier this year
Remembering Ida Haendel: Grande dame of the violin
Following Ida Haendel’s death at the age of 96 in July 2020, Tully Potter surveys the career of an exceptional performer and a remarkable woman. From September 2020
Pierre Rode: The Rode less travelled
He is best remembered for his didactic 24 Caprices, but there’s much more to Pierre Rode. For the French virtuoso’s 250th anniversary, Charlotte Gardner reveals a colourful life story and hears from the German violinist Friedemann Eichhorn, who has revived and recorded all of Rode’s 13 violin concertos
All-female string quartets after the First World War
In the second and final part of his survey, Tully Potter reveals the extent of the explosion of all-female quartets that occurred after the First World War in the UK, Europe, the US and the Soviet Union, as well as notable mixed ones
Lutherie
Amaryllis Fleming: A life less ordinary
To mark a hundred years since the birth of Amaryllis Fleming in December 1925, Oskar Falta takes a look at the British cellist’s colourful life and influential career, and hears from one of her pupils – Raphael Wallfisch
Masterclass: Brahms Violin Concerto, second movement
The feeling of rhetoric and a stream of consciousness must be represented when approaching this movement, says violinist Liza Ferschtman
Technique: Quartet playing from the violist’s perspective
Alan George examines the techniques of chamber music playing from the violist’s seat
Masterclass: Dvořák Romance in F minor op.11
Violinist Grace Park examines ways of creating nuance and variety in this seemingly simple piece, which is imbued with folk elements characteristic of Dvořák’s heritage
Technique: Exploring pizzicato techniques
Violinist Tomás Cotik on the broad range of pizzicato techniques available to string players
Masterclass: Beethoven Violin Sonata No.9 ‘Kreutzer’, first movement
Capturing the music’s sense of tumultuous energy is key to portraying Beethoven’s unpredictable character in this movement, says violinist Kristin Lee
Long Reads
Amaryllis Fleming: A life less ordinary
To mark a hundred years since the birth of Amaryllis Fleming in December 1925, Oskar Falta takes a look at the British cellist’s colourful life and influential career, and hears from one of her pupils – Raphael Wallfisch
Sofia Gubaidulina: a musical offering
Gavin Dixon examines the spiritual, visionary string works of the Russian–Tatar composer Sofia Gubaidulina, who died earlier this year
Remembering Ida Haendel: Grande dame of the violin
Following Ida Haendel’s death at the age of 96 in July 2020, Tully Potter surveys the career of an exceptional performer and a remarkable woman. From September 2020
Pierre Rode: The Rode less travelled
He is best remembered for his didactic 24 Caprices, but there’s much more to Pierre Rode. For the French virtuoso’s 250th anniversary, Charlotte Gardner reveals a colourful life story and hears from the German violinist Friedemann Eichhorn, who has revived and recorded all of Rode’s 13 violin concertos
All-female string quartets after the First World War
In the second and final part of his survey, Tully Potter reveals the extent of the explosion of all-female quartets that occurred after the First World War in the UK, Europe, the US and the Soviet Union, as well as notable mixed ones
German bow makers in America: Across the Atlantic
Many, if not most, of the earliest bow makers working in America originally hailed from Germany. Raphael Gold discovers how they helped lay the foundations for the industry
Lutherie
Violin maker Otto Schünemann: A Romantic visionary
Although Otto Schünemann’s violins were praised by everyone from Vuillaume to Sarasate, his name is barely recognised today. Clifford Hall tells the story of this idealistic luthier who strove to bring the glories of the Cremonese masters to 19th-century Germany
In Focus: A c.1800 violin by Joseph Panormo
Andrew Fairfax on the UK-based Italian maker’s turn-of-the-century instrument
The Strad Calendar 2024: The Fulton collection
The Strad Calendar 2024 pays tribute to one of the 20th century’s finest stringed instrument collections, put together in just a couple of decades by American violin collector David L. Fulton. Christian Lloyd examines the treasures
Zosimo Bergonzi: Family fortunes
Zosimo Bergonzi, son of Carlo, was for a time the only luthier active in Cremona . Michel Samson tracks his career through his known works
Great Instruments
The Strad Calendar 2026: Treasures of Canada
The Strad Calendar for 2026 shines the spotlight on twelve instruments owned by Canimex, one of Canada’s leading supporters of the arts. Christian Lloyd surveys the riches
The Strad Calendar 2025: Canada’s crème de la crème
The Strad Calendar 2025 celebrates the work of the Canada Council for the Arts, which has been matching players with fine instruments for 40 years. Christian Lloyd takes a look at the collection’s highlights
A unique pairing: the ‘Paderewski, Wendling’ violin
In the first of a two-part article, Balthazar Soulier examines an extraordinary violin that displays the hallmarks of both Guarneri ‘del Gesù’ and Domenico Montagnana
The Fulton collection: Magnificent obsession
For decades, top soloists would visit the home of David Fulton to sample the treasures of his legendary collection. Now dispersed, the instruments have been brought together again in book form. The collector shares some of the highlights with Christian Lloyd
Great Instruments
The Strad Calendar 2026: Treasures of Canada
The Strad Calendar for 2026 shines the spotlight on twelve instruments owned by Canimex, one of Canada’s leading supporters of the arts. Christian Lloyd surveys the riches
Reviews
Reviews
Book review: The Music Inside Us: Yo-Yo Ma and His Gifts to the World
Pauline Harding reads a picture book by James Howe and Jack Wong all about the renowned cellist’s life and career
Book review: Dynamite Strings
Alex Laing reads Georgina Leach’s books for beginner violinists, violists and cellists
Book review: Hungarian ‘Gypsy-Band’ Music in Vienna, 1850–1914: The Csárdás Craze
Robin Stowell reads Jon Banks’s history of the rise of Romani music in 19th-century Vienna
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