In Focus: A 1923 violin by Michael Dötsch

Front full

Rainer Michael Cocron examines an early 20th-century instrument by the German maker

Born in 1874, Michael Dötsch initially trained with Michael Kohlbacher in Schönbach, Saxony. He worked for several European workshops before moving to Berlin in 1909, where he started working for Erich Lachman. There he perfected his skills, probably for the first time having access to very fine old Italian instruments and studying them closely. Dötsch set up his own workshop in 1914 in Wilmersdorf, a borough of Berlin. His reputation for making top-quality instruments grew quickly as he was highly regarded by the local musicians of the time, who carried his name far beyond the city of Berlin…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.