Trade Secrets: Purfling and edgework after closing the box
2024-09-06T09:24:00
A method that allows for more aesthetic freedom than completing the plates before finishing the soundbox
By Emilio Kusi Crabbé
Luthier based in Zhongli, Taiwan
I like the idea that the outlines, edges and purfling of an instrument can be left as a final, more aesthetic feature, rather than a central part of the making process. When I’m working on the top and back plates, my attention is completely taken up with the instrument’s function, so I focus entirely on the archings, fluting and graduations…