All Historical articles – Page 19
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The Jewel of Taiwan: The Strad Calendar 2020
The Chimei Museum in Taiwan houses the largest collection of stringed instruments in the world.The Strad Calendar 2020 marks 30 years since its founding, as Dai-Ting Chung and Andrew Guan highlight some of the remarkable treasures within its walls
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In focus: a c.1930 violin by Ignacio Fleta
Jordi Pinto examines an instrument by the important Spanish maker
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Review
Book review: Füssen Lute and Violin Making; A European Legacy
John Dilworth reviews a history of lutherie in the southern German town
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From the archive: a violin by Jacob Stainer, 1669
This illustration of a 1669 Jacob Stainer violin was published in The Strad, August 1934. The following text is extracted from an article accompanying the photographs: Jacobus Stainer’s instruments were always German in style, although the master was immeasurably in advance of his countrymen. That he was acquainted with the ...
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Feature
In focus: c.1767 violin by G.B. Gabrielli
Kai Dase takes a close look at a violin by one of the finest and most influential Florentine makers of the 18th century
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Northern double bass makers: Northern lights
The 19th century witnessed a thriving double bass making scene in the Manchester area of England. This northern school, which had its own distinct style points, flourished for a longer time than its southern counterpart, as Thomas Martin, Martin Lawrence and George Martin explain
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Video
Brian Paul Benning plays a 1997 Viola d’amore
Brian Paul Benning - Artist-in-Residence at the 65-year-old family-run business Benning Violins in Los Angeles, California - plays a Viola d’amore crafted by violinmaker Eric Benning in 1997.
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In focus: a 1782 cello by William Forster II
Bradley Strauchen-Scherer examines an instrument from Britain’s foremost dynasty of violin and cello makers
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Focus
In focus: the 1728 'Milanollo' Stradivari
Roger Hargrave examines the Stradivari ‘Milanollo’ violin of 1728, one of the few of the master’s instruments to keep its original sharpness
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Video
Paganini's 'Il Cannone' violin played in Columbus, Ohio
This clip from the Columbus Dispatch shows Columbus Symphony concertmaster Joanna Frankel trying out ‘Il Cannone’, Paganini’s favourite violin, during its weeklong stay at the Columbus Museum of Art. The violin, made in 1743 by Guarneri ‘Del Gesù’, was nicknamed ‘Il Cannone’ (the cannon) by Paganini because of its power ...
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Focus
Jascha Heifetz – champion of modern violins
Dario Sarlo reveals a lesser-known passion of the great violinist, and how it led him to start his own lutherie competition
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Video
Paganini's violin arrives in Columbus, Ohio
This clip from WCMH news in Columbus, Ohio, shows ‘Il Cannone’, Paganini’s favourite violin, arriving for a weeklong stay at the Columbus Museum of Art. The violin, made in 1743 by Guarneri ‘Del Gesù’, was nicknamed ‘Il Cannone’ (the cannon) by Paganini because of its power and projection. It will ...
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Forms of mystery
Andrea Zanrè and Philip Ihle conclude their examination of Stradivari’s moulds, with the aid of micro-CT imaging by Rudolf Hopfner, by exploring whether the Cremonese master may have used more than the twelve forms that survive in the Museo del Violino
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Inside information
Very often neglected, the chamfers of a bow head can give intimate clues as to a maker’s working style and personal characteristics. Anton Lu and Dai-Ting Chung compare and contrast bows from the Baroque era to the present day
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Focus
Looking after Paganini’s ‘Il Cannone’ violin
Entrusted with the task of conserving one of the world’s most valuable violins, Bruce Carlson has made it easier to play, while taking it closer to how it would have looked to Paganini. In this article first published in 2004, he explains
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In focus: c.1870 viola by Carl Mettus Weis
Jens Stenz examines a c.1870 viola by the Danish maker
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Top lots from the London sales
A record-breaking Gofriller and possibly the oldest British viola drew Kevin MacDonald’s attention in the March auctions
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News
Home visit for Cremonese instruments from US National Music Museum
The Museo del Violino prepares to welcome instruments by Stradivari, the Amatis and others from collection housed in Vermillion, South Dakota
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Focus
In focus: 1675 violin by Francesco Rugeri
In this article from the December 2014 issue, Fausto Cacciatori takes a close look at a fine example of a rather enigmatic maker with links to Nicolò Amati