Isabelle Faust pays tribute to her former teacher, who inspired her 2013 Bartók Violin Concertos recording on Harmonia Mundi
Hungarian violinist and pedagogue Dénes Zsigmondy has died aged
91. An acclaimed soloist who performed with some of the leading
European orchestras, in later years he became a respected teacher
at music schools around America.
Born Dénes Liedemann in 1922, he began learning the violin at the
age of four. He studied with Géza de Kresz at the Franz Liszt
Academy of Music in Budapest, before working with Carl Flesch, Váša
P?íhoda and Zino Francescatti. In 1944 he moved to Germany to begin
his performing career, when he also adopted his mother’s maiden
name, Zsigmondy, to emphasise his Hungarian roots. Among the
composers he counted as personal friends were Bartók, Kodály,
Ligeti and György Kurtág.
From 1946 Zsigmondy had an international career as a soloist,
performing throughout Europe and in the Americas, Japan, Australia
and New Zealand. Among the orchestras he performed with were the
Berlin Symphony, Munich Philharmonic, the Salzburg Camerata,
Stuttgart Chamber Orchestra and the Boston Philharmonic. He also
gave duo recitals with his wife, pianist Anneliese Nissen, who died
in 2014.
In 1972 Zsigmondy joined the music faculty of the University of
Washington in Seattle. He was also a visiting professor at Boston
University and held masterclasses in cities from San Francisco to
Hong Kong. In 1978 he founded the Holzhauser Musiktage festival in
Bavaria, where he relocated. Among his pupils during this
period was an eleven-year-old Isabelle Faust, who came backstage
after a duo recital.
In his later years Zsigmondy taught at the Hochschule für Musik
Mainz. In 1997 he received the Order of Merit of the Republic of
Hungary.
Isabelle Faust pays tribute to Zsigmondy for The Strad
below:
'When I listen to the recordings of Dénes Zsigmondy – his Bartók,
Dvo?ák and Mozart Sonatas, Ravel's Tzigane and many more – my heart
is filled with a desire to make music and to immerse myself in the
works. Dénes was a full-blooded musician – he breathed in music,
existed through music, and was simply contagious in his hunger for
music. When he took his fiddle in hand, no one could resist its
intensity. I came into contact with his radiant, contagious force
for the first time as an eleven-year-old. For many years he was
with me – loving and wise – and the spell continues to this day.
His skills as a violinist and his extraordinary talent profoundly
touched and impressed all who heard him in concert. As a teacher,
in his later years, he played an equally important role in the
world and I have met many former students who he influenced
immensely. We all miss him painfully – his nature and his music are
deeply rooted in each of us.'
Subscribe to The Strad or download our digital edition as part of a 30-day free trial. To purchase back issues click here.
No comments yet