All Jean-Baptiste Vuillaume articles
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GalleryNew York Philharmonic concertmaster acquires Pierre Simon bow
Frank Huang is now the owner of the beautifully decorated ‘Caraman-Chimay’ Pierre Simon bow, thanks to a recent sale by Tarisio
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FocusThe Strad Calendar 2025: 1871 Jean-Baptiste Vuillaume violin
An exact copy of Stradivari’s ‘Messiah’, it remained in a vault in Paris for more than 70 years
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News1862 Vuillaume cello commissioned by Vieuxtemps to go on sale for the first time
The cello, which will be presented for auction by Ingles & Hayday this month, has remained in the Vieuxtemps family ever since it was made over 160 years ago
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Premium ❘ FeatureAn outstanding piece of work: exploring the 1865 ‘Sheremetev’ Vuillaume cello
The sheer quantity of J.B. Vuillaume’s instruments has led to a certain prejudice against them. But as John Dilworth explains, his finest creations, such as this 1865 ‘Sheremetev’ cello, rank almost as high as those of the Cremonese masters
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FocusRaphael Wallfisch on playing the ‘Sheremetev’ Vuillaume cello
‘It’s a very versatile instrument as well as a beautiful thing to look at,’ said the cellist in our June 2013 issue
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FocusThe Strad Calendar 2023: 1859 Vuillaume violin
The violin is a very close copy of a ‘golden period’ Stradivari, possibly the 1715 ‘Alard’,
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VideoThe Strad Calendar 2021: Jean-Baptiste Vuillaume violin 1848-50
This Vuillaume is a mid-period ‘del Gesù’ copy, on which the f-holes of the ‘Ole Bull’ Guarneri have been imposed
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ArticleAn almost perfect success story: the evolution of Vuillaume
Jean-Baptiste Vuillaume was the most successful French luthier of his time, but the first years of his career remain shrouded in mystery. Jonathan Marolle examines some of his earliest instruments to uncover the evolution of his technique and style
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Premium ❘ FeaturePressenda: Combined impact
Despite his instruments showing very little difference in form, Giovanni Francesco Pressenda was one of the most idiosyncratic – and innovative – Italian luthiers of the 19th century. Drawing on 20 years of research, Tsutomu Miyasaka reveals how his style reflected both the French and Italian makers of his day
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Premium ❘ FeaturePersoit, the illusion solution
One of the most mysterious French bow makers, Persoit had a number of idiosyncrasies that give his works a uniquely light appearance. Through a detailed study of a single bow, Paolo Sarri shows his creative answer to the problem of bulky heads
