Joanne Talbot
ReviewJoshua Bell, Matt Haimovitz: Thomas de Hartmann Rediscovered
Two star musicians rehabilitate a neglected Ukrainian
ReviewAdorno Quartet: Castelnuovo-Tedesco
Perceptive readings make the case for a neglected quartet byway
ReviewRoberto Trainini: Casella, Mulè, Pizzetti, Respighi
Italian cello rarities prove a mixed affair, despite powerful characterisation
ReviewKlenke Quartet: Erkin, Ravel, Schulhoff
An enterprising programme in which a Turkish discovery stands out
ReviewThe Strad Recommends: Quatuor Danel: Shostakovich
A powerful new live cycle from these Shostakovich veterans
ReviewThe Strad Recommends: Trio Zimbalist: Auerbach, Dvořák, Weinberg
Performances to sit alongside the finest in this enterprising programme
ReviewTrio con Brio Copenhagen: The Passenger
Music that speaks of trauma is eloquently brought to life
ReviewThe Strad Recommends: Gidon Kremer: Songs of Fate
A highly personal programme offers a typically searing experience
ReviewDmitry Yablonsky: Catalan Cello Works
A Catalan tradition is brought to life by engaging performances
ReviewBruno Philippe: Fauré, Franck, Poulenc, Saint-Saëns
Plenty to admire here, with Poulenc’s underrated sonata stealing the show
ReviewChristoph Croisé: 1883
A programme built around a single year produces interventionist performances
ReviewWen-Sinn Yang, Tassilo Probst: Weinberg
Another noteworthy album of a formerly neglected Soviet figure
ReviewFine Arts Quartet: Enescu Early Chamber Music
A welcome chance to explore the early works of a Romanian master
