All Lutherie articles – Page 8
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My Space: Victor Hugo Vélez's Tallinn workshop
The Argentinian luthier presents his Estonian workshop
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In Focus: A 1786 violin by G.B. Guadagnini
John Dilworth examines a violin made in the last year of the master luthier’s life
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Elias Placht: how one man founded the violin making tradition of Schönbach
By the early 20th century, the town of Schönbach was producing tens of thousands of violins per year – but the industry began with just one man. Christian Hoyer sifts through the records to reveal the life and legacy of Elias Placht
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Gallery
What does the inside of a Guarneri violin look like? Photographer captures hidden spaces inside fine Italian instruments
Take a look inside (literally) the New Zealand String Quartet’s instruments, captured by photographer Charles Brooks using specialist medical equipment
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Trade Secrets: Preparing the neck-block on a violin before scroll carving
Katharina Neumüller presents an efficient, accurate method for the earlier parts of neck carving, before working on the scroll
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Focus
The instruments and bows of Jacqueline du Pré
In this extract from February 1988, Charles Beare recounts the instruments and bows played by cellist Jacqueline du Pré, including the 1712 ‘Davidov’ Stradivari
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Trade Secrets: Half-edging with a router
William Szott presents a quick way to fit a new piece of wood to a block area
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Blogs
Your violin, your legacy: the story of my violin, ‘Mrs. Evans’
Having explored the Violins of Hope exhibition, where instruments bear the legacy and scars of the Holocaust and World War II, violinist Barbara Khristi delves into the history of her instrument, Mrs. Evans. Surprised by the results, she shares her journey in this article
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In Focus: A 1925 violin by Giuseppe Del Lungo
Michele Mecatti looks at the Italian maker’s early 20th-century instrument
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Making Matters: G.B. Ceruti’s restoration of a violin with worm damage
Luiz Amorim examines an intriguing c.1800 violin by G.B. Ceruti containing wood that appears to have been restored following worm damage – by the maker himself
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Gallery
Photo gallery: artist transforms broken violins into unique creations
Combining a lifelong fascination with both music and art, Alicia Clare rescues old violins beyond repair, giving them a new lease of life with bespoke designs
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Auction Report January 2024: A generous offering
A Brothers Amati violin, another by a lesser-known Guadagnini and a cello by ‘the father of the piano’ all made waves at the London sales, as Kevin MacDonald reports
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My Space: Martin Kuhn’s Diessenhofen workshop
Peek into the maker’s workshop located in a small Swiss village
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Blogs
Best of 2023: The Strad’s Twelve Days of Lutherie
Check out our twelve most-viewed online lutherie articles from 2023
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Analysing the ‘Boissier, Sarasate’: Stradivari à la mode
George Stoppani presents the results of an investigation into the acoustics of the ‘Boissier, Sarasate’, focusing primarily on the ‘signature modes’
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Stradivari 1713 ‘Boissier, Sarasate’ Violin: Sarasate’s Red Violin
One of the most admired instruments ever made by Antonio Stradivari, the ‘Boissier, Sarasate’ is in an excellent state of preservation. Roberto Jardón Rico examines the violin and its best-known owner, the Spanish virtuoso Pablo Sarasate
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The Fulton collection: Magnificent obsession
For decades, top soloists would visit the home of David Fulton to sample the treasures of his legendary collection. Now dispersed, the instruments have been brought together again in book form. The collector shares some of the highlights with Christian Lloyd
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Filippo de Filippi: From Vatican to varnish
The 19th-century violin maker Filippo de Filippi had an unusual route to his chosen career, taking in the Papal court, the Risorgimento and Rome’s cultural milieu. Stefano Pio explores his intriguing life
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News
Dextra Musica presents an instrument Advent calendar
The Christmas calendar features instruments from the foundation’s extensive collection
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Focus
The Strad Calendar 2024: 1742 ‘Lord Wilton’ Guarneri ‘del Gesù’ violin
Best known as Yehudi Menuhin’s instrument for much of his career, the violin is still in an excellent state of preservation