All Lutherie articles – Page 9
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Premium ❘ FeatureMy Space: Gianmaria Stelzer’s Zurich workshop
Take a peek into this workshop located in the Swiss city’s cultural quarter
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Blogs‘Music must be played, life must go on’: an update from Ukrainian violin maker Orest Putsentela
Educational outreach, Ukrainian-themed violin making and international musical communication are just some of the ways the luthier is promoting peace and connection during difficult times
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Premium ❘ FeatureMaking Matters: Using local materials for violin making
Dutch luthier Geerten Verberkmoes details the process of making a violin using local materials from his home town of Bergen op Zoom, between October 2022 and May 2023
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NewsLost Guarneri documents resurface after nearly a century
Florian Leonhard shares some insights from recent investigations of a freshly re-discovered volume of archives, which mainly focus on the presence of Andrea Guarneri (1623-1698) and his sons
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FocusThe Strad Calendar 2024: 1733 ‘Sassoon’ Antonio Stradivari violin
Made when the master luthier was 89 years old, it has plentiful, rich reddish-brown varnish
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FocusDouble Acts: Andrew Fairfax and Anneleen Fairfax-van der Grinten
Husband-and-wife violin makers and restorers Andrew Fairfax and Anneleen Fairfax-van der Grinten talk about their different professional strengths and their shared love of books, wine and Italy
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Premium ❘ FeatureIn Focus: A 1909 violin by James W. Briggs
David Rattray looks at this early twentieth-century violin by the British maker
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Premium ❘ FeatureLuigi Mozzani: Renaissance Man
As a luthier, musician, composer, teacher and successful businessman, Luigi Mozzani spread his talents far and wide. Lorenzo Frignani examines his eventful career, which produced all kinds of instruments
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FocusThe Strad Calendar 2024: 1737 ‘Panette’ Guarneri ‘del Gesù’ violin
For years the main instrument used by Isaac Stern, it is now in the hands of Renaud Capuçon.
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Premium ❘ FeatureTrade Secrets: Preparing a two-piece violin top
An accurate method for sawing and preparing tonewood before the main process of carving the plate
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FocusThe Strad Calendar 2024: 1739 ‘Beatrice Harrison’ Pietro Guarneri of Venice cello
One of only five or six cellos made by the luthier, it was the British cellist’s principal performing instrument for many years
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Premium ❘ FeatureCopying a Montagnana cello: The Full Monty
For the past few years, the attendees of the annual Oberlin Violin Makers Workshop have set themselves increasingly challenging group projects. Robin Aitchison explains how 30 luthiers collaborated on their latest task: to copy a Montagnana cello with pinpoint accuracy
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FocusThe Strad Calendar 2024: c.1580 Gasparo da Salò viola
One of the very few violas by the Brescian luthier that has never been cut down
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Premium ❘ FeatureMaking Matters: Finding the best-fitting viola
While the violin form is pretty much standardised, violas exist in all kinds of sizes and patterns. Chris Sandvoss offers some pointers to find the instrument most suited to the player
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VideoStrauss’s Metamorphosen played on one luthier’s instruments
The ‘Echoes of the Ages’ festival, featuring the work of Icelandic luthier Hans Jóhannsson, concluded with a concert performance exclusively on instruments he made
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GalleryGallery: festival dedicated to luthier Hans Jóhannsson concludes in Iceland
‘Echoes of the Ages’ profiled the 43-year career of the Icelandic violin maker, who has made over 300 instruments
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FocusThe Strad Calendar 2024: 1737 ‘King Joseph’ Guarneri ‘del Gesù’ violin
Once considered the crowning achievement of Guarneri’s career, this instrument has pristine golden-orange varnish
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Premium ❘ FeatureGerman bow makers in America: Across the Atlantic
Many, if not most, of the earliest bow makers working in America originally hailed from Germany. Raphael Gold discovers how they helped lay the foundations for the industry
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Premium ❘ FeatureMy Space: Michael Darnton’s Chicago workshop
Take a peek into the luthier’s compact workshop
