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Historical
Premium ❘ Feature
Five generations of the Weidhaas–Finkel bow making dynasty
Gennady Filimonov continues his survey of the great 20th-century German bow makers with a look at the Weidhaas–Finkel dynasty, which now boasts five generations in the profession
Focus
The Strad Calendar 2025: 1730 ‘Newland’ Giovanni Francesco Celoniato cello
One of only eight cellos known to be made by the Turin-based luthier, it is named after Canadian cellist Christine Newland
Blogs
Scottish luthier Robert Duncan and the Joseph Ruddiman London connection
David Rattray examines a firm link between the Aberdeen and London schools of lutherie in the 18th century
FeatureLife as a violin maker in 16th-century Venice: an exclusive look
In the December 2024 issue we examine the history of the Linarol dynasty, one of the first violin making families in Venice. Here, Stefano Pio provides some context as to the 16th-century environment in which they worked, as well as a semantic discussion on the terms ‘viole’ and ‘lire’
BlogsWhere the wood came from: Peter Ratcliff speaks to the VSA
The British dendrochronology expert explains his latest research, revealing how wood from one source can appear in centuries-old instruments made thousands of miles apart
FocusThe Strad Calendar 2025: 1820 Giovanni Francesco Pressenda violin
Possibly the first instrument ever made by Pressenda, it boasts a two-piece back of slightly burled quarter-cut maple
Premium ❘ FeatureMerchants of Venice: Venetian lutherie
In the 16th century, the Republic of Venice was a hotbed of innovation for stringed instrument makers – and the members of the Linarol family were at the heart of the trade. Stefano Pio explores the archives to reveal their fascinating and often colourful lives and careers
FocusThe Strad Calendar 2025: c.1696 ‘Bonjour’ Antonio Stradivari cello
A beautiful instrument with plentiful red–brown varnish, it has been played by Robert Cohen, Martin Lovett and others
FocusThe Strad Calendar 2025: 1747 ‘Palmason’ Gennaro Gagliano violin
Named for Canadian violinist Pearl Palmason, the violin has a back of one piece of maple with broad figure
NewsNew exhibition of Count Cozio di Salabue drawings to open in Cremona
The collection of manuscripts by the 19th-century Italian violin connoisseur is to be preserved for future study
FocusThe Strad Calendar 2025: 1824 ‘McConnell’ Nicolò Gagliano II cello
A rare cello by the least prolific member of the Neapolitan family, the ‘McConnell’ has a two piece back of slab-cut poplar
FocusThe Strad Calendar 2025: 1689 ‘Baumgartner’ Antonio Stradivari violin
Marking the end of Stradivari’s early ’Amatisé’ period, it is named for the Swiss violin dealer Fritz Baumgartner
- Feature
Life as a violin maker in 16th-century Venice: an exclusive look
In the December 2024 issue we examine the history of the Linarol dynasty, one of the first violin making families in Venice. Here, Stefano Pio provides some context as to the 16th-century environment in which they worked, as well as a semantic discussion on the terms ‘viole’ and ‘lire’
- Blogs
Where the wood came from: Peter Ratcliff speaks to the VSA
The British dendrochronology expert explains his latest research, revealing how wood from one source can appear in centuries-old instruments made thousands of miles apart
- Focus
The Strad Calendar 2025: 1820 Giovanni Francesco Pressenda violin
Possibly the first instrument ever made by Pressenda, it boasts a two-piece back of slightly burled quarter-cut maple
- Premium ❘ Feature
Merchants of Venice: Venetian lutherie
In the 16th century, the Republic of Venice was a hotbed of innovation for stringed instrument makers – and the members of the Linarol family were at the heart of the trade. Stefano Pio explores the archives to reveal their fascinating and often colourful lives and careers
- Focus
The Strad Calendar 2025: c.1696 ‘Bonjour’ Antonio Stradivari cello
A beautiful instrument with plentiful red–brown varnish, it has been played by Robert Cohen, Martin Lovett and others
-
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