All News articles – Page 8
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News
Analysis: The Business of Selling
Ensuring that crowds continue to flock to classical music concerts relies on a top-notch marketing strategy – and retaining audiences is becoming an increasingly sophisticated discipline
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News
The Strad January 2020 issue is out
Georgian violinist Lisa Batiashvili talks about her new role as artistic director of the Audi Summer Concerts festival, and her most personal recording to date
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Analysis: Reduce, Reuse, Recycle
In these environmentally aware times, players will be conscious of the long-term impact of the strings they’re using. What are manufacturers doing to set their minds at rest? Peter Somerford finds out
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Analysis: the ramifications of a no-deal Brexit for musicians
With the prospect of a no-deal Brexit looking increasingly likely, what are the real ramifications for musicians – and what steps can be taken to minimise the impact?
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Analysis: a new European chamber coaching initiative
A new two-year masters programme is set to give young European string players an edge in the competitive chamber music market, writes Peter Somerford. What’s the thinking behind the initiative?
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Analysis: UK options for instrumental teacher training
With a new teacher-training qualification just about to launch, what are the options for British musicians when it comes to becoming an accredited tutor? By Peter Somerford
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A Question for the Ages – Analysis
Does respecting the value of old instruments mean they should be played less often? Luthiers, museum curators and foundation heads debate the age-old question
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Competitions and Appointments
The Barbican Quartet has won the €10,000 first prize at the International Joseph Joachim Chamber Music Competition in Weimar, Germany. Founded in 2014 at London’s Guildhall School of Music and Drama, the quartet comprises violinists Amarins Wierdsma and Tim Crawford, violist Christoph Slenczka and cellist Yoanna Prodanova. Second prize went ...
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New Music Curriculum in UK Schools: Analysis
The ABRSM, the UK’s leading music examinations board, will be drafting a new ‘model music curriculum’ for the Government. Harry Whie asks why its appointment raised questions