Technique: Sound and phrase

Screen Shot 2019-11-29 at 16.12.18

The importance of developing a refined, balanced technique to communicate a nuanced musical line on the double bass

To play the double bass today is very different from what it was a few decades ago. While once we hid away in orchestras, now we also need to perform as soloists, using the same spectrum of tone colour, intensity and articulation as violinists, violists and cellists. To be able to coax our mile-long strings into vibrating in the truly focused way that is needed to produce a musical phrase, we need an incredibly sophisticated technique. To many double bassists, players who produce a beautiful sound while projecting in a soloistic way seem like magicians.

To create a nuanced phrase with a full, articulate sound that is rich in colour requires us to find a balance between body and instrument, combining power with a supple and refined technique by working on our bowing, vibrato, sound imagination and sense of musical direction…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.