All Regulars articles – Page 12
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Premium ❘ NewsPremiere of the Month: Errollyn Wallen on her new string quintet
A new viola-focused quintet based on musical contrasts
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Premium ❘ FeatureIn Focus: An 1899 viola by Luigi Rovatti
Lionnel Genovart looks at the Buenos Aires-based Italian luthier’s late-century instrument
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Premium ❘ FeatureMaking Matters: The ‘golden ratio’ in violin making
Violin maker Wolfgang Schiele argues that the influence of the ‘golden ratio’ on painting, architecture and lutherie supports the idea of a perfect form for instruments
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Premium ❘ Focus‘I like to run my section in a cooperative way’ - Christopher Hanulik’s Life Lessons
The US double bassist on his early influences and lessons learnt from his nearly four decade-long principal position at the LA Philharmonic
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Premium ❘ FeatureTrade Secrets: Repairing a cello button
Petko Petkov shares a restoration method for creating a new button on the back plate
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Premium ❘ FocusPostcard from Hong Kong: Musicus Fest
Cross-cultural and intergenerational exchange is the engine that drives cellist Trey Lee’s Musicus Fest, as Thomas May discovered at its eleventh edition
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Premium ❘ FeatureMy Space: Marius Laufer & Christian Klein’s Landshut workshop
Take a tour of the makers’ workshop in southern Germany
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Premium ❘ Feature‘Shall I ever be the same again?’ - From the Archive: March 1914
After a long break from the violin, how can amateur violinists ease themselves back into playing? Regular correspondent ‘Lancastrian’ (Dr William Hardman) gives his thoughts
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Premium ❘ FeatureMasterclass: Ravel Violin Sonata no.2, second movement ‘Blues’
Violinist Curtis Stewart looks at how to get the most from the different styles Ravel used, and how questions that arise from their juxtaposition are arguably more important than answers
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Premium ❘ FeatureTechnique: Playing in the lower half of the bow
Violinist Jack Liebeck shares tips on how to take full advantage of the whole bow
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Premium ❘ FocusSentimental Work: Gidon Kremer on Raminta Šerkšnytė’s ‘This too shall pass’
For the Latvian violinist, Raminta Šerkšnytė’s 2021 composition This too shall pass is a multifaceted and liberating work in these challenging times
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Premium ❘ ArticleAnalysis March 2024: UK ensembles touring Europe
Touring to Europe is about to become even more difficult for UK ensembles, now that Orchestra Tax Relief from the government will no longer be an option
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![[3] Viatores Quartet pc Deniz Tunçer](https://dnan0fzjxntrj.cloudfront.net/Pictures/100x67/2/0/4/33204_3viatoresquartetpcdeniztuner_831384_crop.jpg)
Premium ❘ NewsCompetitions, Awards and Appointments: March 2024
The latest competition results, appointments and forthcoming contests
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Premium ❘ ArticleProducts March 2024: Ebonprex pegs
New pegs finish off a complete range of ebony-alternative fittings
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Premium ❘ Article‘What is critical is finding a good teacher’ - Letters to the editor: March 2024
A selection of letters The Strad receives each month from its readers around the world: March 2024 issue
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Premium ❘ ArticleMarch 2024: Editor’s welcome and contents
The Strad’s editor Emma Baker introduces the March 2024 issue
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Premium ❘ ArticleProducts March 2024: Snark Titanium clip-on tuner
A new version of the company’s clip-on tuner
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Premium ❘ ArticleProducts March 2024: Negri Quantum violin case
The case is designed for safety and security
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Premium ❘ FeatureMaking Matters: Stability of top and back plates
Christian Bayon reveals the results of several years’ experimentation with improving the stability of a violin’s top and back plates without compromising the sound quality
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Premium ❘ FocusOpinion: Criticism in teaching
Cellist and teacher Naomi Yandell explores the fine line between nagging and getting a point across by reminder and reinforcement, and suggests that a less verbal approach can often yield good results
