All Regulars articles – Page 14
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Premium ❘ Article‘You’re going to play even louder now!’ - Letters to the editor: November 2023
A selection of letters The Strad receives each month from its readers around the world: November 2023 issue
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Premium ❘ ArticleProducts November 2023: ThermalWood Canada Obsidian Ebony
Thermally modified wood makes its entrance into violin making
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Premium ❘ ArticleProducts November 2023: Leatherwood bass rosin
The Australian company releases a new bass rosin
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Premium ❘ ArticleProducts November 2023: Corelli Solea viola strings
The company releases a new set in the existing Solea range
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Premium ❘ FocusSentimental Work: Sergej Krylov on Shostakovich’s Violin Concerto no.1
Mstislav Rostropovich had some resonant words of wisdom for the Soviet-born Italian violinist when they worked together on Shostakovich’s Violin Concerto no.1
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Premium ❘ FeatureMy Space: Roberto Regazzi’s Bologna workshop
Included in Regazzi’s workshop is a full set of The Strad magazine from 1890!
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Premium ❘ FeatureMaking Matters: Making transitional bows
In 2021 bow maker Markus Laine was commissioned to make 15 transitional bows to be used by a single chamber orchestra. What were the challenges – and what change did it make to the sound?
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Premium ❘ FocusOpinion: Flexibility in orchestral playing
Violinist Alexandra Gorski argues that an orchestra’s greatest asset is not power or accuracy; rather the ability to adapt seamlessly to every style of music and manner of conductor
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Premium ❘ Feature‘His violin still sings in my ears’ - From the Archive: October 1893
The Strad selects some highlights from the memoirs of violinist Charles Dancla (1817–1907), recently published in Paris
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Premium ❘ FeatureTechnique: Moving from violin to viola
Australian violist Stephen King outlines tips for making the switch
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Premium ❘ Focus‘Learning to trust yourself is a never-ending process’ - Nils Mönkemeyer’s life lessons
The German violist on finding his confidence and the journey of becoming a soloist
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Premium ❘ FeatureIn Focus: A c.1800 violin by Joseph Panormo
Andrew Fairfax on the UK-based Italian maker’s turn-of-the-century instrument
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Premium ❘ FeatureMasterclass: Koussevitzky Double Bass Concerto, first movement
Double bass soloist Leon Bosch uncovers the challenges and opportunities of this emotionally powerful piece
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Premium ❘ FeatureTrade Secrets: Making a mould and templates from a poster
A quick, efficient and accurate way of cutting durable templates using one of The Strad’s publications
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Premium ❘ FocusPostcard from Germany: Kissinger Sommer festival
A stay in northern Bavaria’s spa town of Bad Kissingen for the Kissinger Sommer festival proved to be a balm for the soul for Laurence Vittes
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Premium ❘ ArticleAnalysis October 2023: Climate change and tonewood
The past summer has seen catastrophic heatwaves strike almost all of Europe. What effect have they had on the forests of spruce and maple that tonewood dealers depend on?
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Premium ❘ ArticleOctober 2023: Editor’s welcome and contents
The Strad’s editor Emma Baker introduces the October 2023 issue
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Premium ❘ Article‘Rebecca, you have saved the viola!’ - Letters to the editor: October 2023
A selection of letters The Strad receives each month from its readers around the world: October 2023 issue
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Premium ❘ ArticleProducts October 2023: StopLossBags
The bags hold a variety of liquids for violin making
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Premium ❘ ArticleProducts October 2023: BAM Sky cello case
The case is the company’s lightest for cello
