All Reviews articles – Page 11
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ReviewTrio 1790: Kozeluch Piano Trios Vol.4
Performances that tickle the ear, even if the content is slight
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ReviewAdorno Quartet: Castelnuovo-Tedesco
Perceptive readings make the case for a neglected quartet byway
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ReviewConcert review: Dover Quartet, Leif Ove Andsnes (piano)
Leah Hollingsworth hears the performance of Turina, Dohnányi and Brahms at New York’s Zankel Hall, Carnegie Hall, on 30 April 2024
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ReviewGringolts Quartet, Lilli Maijala (viola): Brahms
Musicianly performances can’t quite compete with the finest
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ReviewConcert review: The Knights
Leah Hollingsworth hears the performance of Jessie Montgomery, Gabriel Kahane, Anna Clyne and Mozart at New York’s Zankel Hall, Carnegie Hall, on 16 May 2024
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ReviewAdrian Bradbury: The Pre-Raphaelite Cello
A heartfelt tribute to the British cello icon Beatrice Harrison
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ReviewConcert review: Gabby Fluke-Mogul (violin) Danishta Rivero (sound technician)
Bruce Hodges hears the performance by the idiosyncratic violinist at New York’s Roulette on 6 May 2024
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ReviewRachel Podger, Brecon Baroque: The Muses Restor’d
A thought-provoking programme from a period-instrument Pied Piper
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ReviewKarl Stobbe: Bach, Paganini, Ysaÿe
An artist compels in the Romantics but falls short in Bach
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ReviewConcert review: Tabea Zimmermann (viola) Kammerakademie Potsdam
Carlos Maria Solare attends the performance of Brahms, Hindemith and Sofia Gubaidulina’s at the Potsdam Nikolaisaal on 27 April 2024
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ReviewConcert review: Geneva Lewis (violin) Georgijs Osokins (piano)
Tim Homfray hears the performance of Brahms, Scarlatti and Elgar at London’s Wigmore Hall on 20 May 2024
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ReviewConcert review: Takács Quartet, Marc-André Hamelin (piano)
Edward Bhesania watches the performance of Florence Price and Dvořák at London’s Wigmore Hall on 20 May 2024
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ReviewConcert review: Heath Quartet
Edward Bhesania hears the performance of Haydn, Bosmans and Korngold at London’s Wigmore Hall on 23 May 2024
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ReviewThe Strad Recommends: Rose Wollman: Breaking Glass Ceilings: Music by Unruly Women
A new label more than lives up to its provocative title
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ReviewConcert review: Anne-Sophie Mutter (violin) London Symphony Orchestra/Thomas Adès
Peter Quantrill visits London’s Barbican Hall on 30 May 2024 for the performance of Adès and Lutosławski
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ReviewThe Strad Recommends: James Ehnes: Bernstein, Williams
An illuminating take on two American masters
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ReviewThe Strad Recommends: Janine Jansen: Prokofiev, Sibelius
Two masterly musicians on top form in an unusual pairing
