All Reviews articles – Page 16
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ReviewBook review: Bows, Strings and Dreams
Lauren Wesley-Smith reviews the autobiography of 16-year-old violin wunderkind Leia Zhu
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ReviewBook review: Italian Violin Making in Argentina
Bharat Khandekar reviews Pablo A. Saraví’s publication on the little-known culture of lutherie among the immigrant population of South America’s second-largest country
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ReviewBook review: Angel Eyes
Anne Inglis reviews the first in a projected quintet of novels by Roger Graham Hargrave centred on the violin business
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ReviewBook review: Bach Six Suites for Violoncello solo (BWV1007–12) arranged for viola solo
Misha Galaganov reviews Bärenreiter’s new edition of the Bach Suites edited for performance by violists
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ReviewLaura van der Heijden: Path to the Moon
Fine musicianship can’t quite overcome a flawed programme concept
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ReviewTrio con Brio Copenhagen: The Passenger
Music that speaks of trauma is eloquently brought to life
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ReviewConcert review: Linos Piano Trio
Edward Bhesania hears the recital of Felix Mendelssohn, Fanny Mendelssohn, Boondiskulchok, Beethoven and Schubert at London’s Kings Place on 21 January 2024
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ReviewCurtis Stewart: American Counterpoints
Two unduly neglected figures are brought back into the spotlight
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ReviewConcert review: Vilde Frang (Violin) BBC Symphony Orchestra/Sakari Oramo
Peter Quantrill attends the performance of Stravinsky’s Violin Concerto at London’s Barbican Hall on 20 January 2024
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ReviewConcert review: Randall Goosby (violin) Jameel Martin (viola/narrator) Eddie Pogossian (cello) Zhu Wang (piano)
Edward Bhesania listens to the performance of at London’s Purcell Room on 14 January 2024
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ReviewConcert review: Goldmund Quartet
Bruce Hodges hears the performance of Schulhoff, Schumann and Haydn at Philadelphia’s Perelman Theater on 16 January 2024
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ReviewSirkka-Liisa Kaakinen-Pilch: Bach
Impeccable if emotionally restrained readings of masterly sonatas
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ReviewConcert review: Hilary Hahn (violin) New York Philharmonic/Jakub Hrůša
Leah Hollingsworth travels to New York’s David Geffen Hall on 12 January 2024 for the performance of Coleridge-Taylor, Bach and Bartók
