All Reviews articles – Page 24
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ReviewConcert review: Consone Quartet
Tim Homfray hears the performance of Haydn and Mendelssohn at London’s Wigmore Hall on 12 March 2023
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ReviewConcert review: Steven Isserlis (cello) Jonian Ilias Kadesha, Irène Duval (violins) Eivind Ringstad (viola) Tim Posner (cello) Lucy Shaw (double bass) Maggie Cole (harpsichord)
Tim Homfray visits London’s Wigmore Hall for the performance of Boccherini on 27 March 2023
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ReviewConcert review: Simone Lamsma (violin) Beatrice Rana (piano)
Edward Bhesania visits London’s Wigmore Hall on 27 March 2023 for the performance of Brahms, Prokofiev and Respighi
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ReviewÉbène Quartet, Antoine Tamestit: Mozart
Music-making of exquisite detail creates a powerful emotional impact
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ReviewGil Shaham (violin) London Philharmonic Orchestra/Vladimir Jurowski
Edward Bhesania hears the performance of Hindemith, Mendelssohn, Prokofiev and Ustvolskaya at London’s Royal Festival Hall on 19 April 2023
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ReviewConcert review: Brentano Quartet
Bruce Hodges reports on the performance at the American Philosophical Society, Philadelphia, on 1 March 2023
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ReviewBook review: The Cello Still Sings: A Generational Story of the Holocaust and of the Transformative Power of Music
Janet Banks reviews Janet Horvath’s moving biographical tale of her family, the Holocaust and what happened next
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ReviewPiatti Quartet, Bozzini Quartet, Heath Quartet: Bracing Change 2
NMC and Wigmore Hall’s latest collaboration is a winner
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ReviewTippett Quartet: Korngold
A fine new cycle makes the case for this Austrian master’s quartets
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ReviewEllinor D’Melon: Lalo, Tchaikovsky
A young violinist makes a notable impression in a crowded arena
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ReviewCecilia Zilliacus: Saint-Saëns
Plenty of pleasure to be found in violin sonatas by a French master
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ReviewRoland Glassl: viola and piano works by Johanna Senfter
Compelling accounts put an overlooked composer back on the map
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ReviewLionel Handy: British Cello Works Vol.2
Fascinating repertoire needs stronger characterisation
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ReviewConcert review: Risa Hokamura (violin) Albert Cano Smit (piano)
Leah Hollingsworth attends the violinist’s New York debut at Merkin Concert Hall on 8 February 2023
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ReviewConcert review: Alisa Weilerstein (cello) New York Philharmonic/Nathalie Stutzmann
Leah Hollingsworth hears the cellist’s account of Prokofiev’s Sinfonia concertante op.125 at David Geffen Hall on 24 February 2023
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ReviewConcert review: Casals Quartet
Bruce Hodges hears a performance of Haydn, Ligeti and Beethoven at Philadelphia’s Kimmel Center on 16 February 2023
