All articles by Bruce Hodges – Page 2
-
ReviewConcert review: Goldmund Quartet
Bruce Hodges hears the performance of Schulhoff, Schumann and Haydn at Philadelphia’s Perelman Theater on 16 January 2024
-
ReviewConcert review: Dover Quartet
Bruce Hodges hears the performance of Haydn, Florence Price and Shostakovich at the Perelman Theater, Philadelphia, PA, US, on 14 January 2024
-
ReviewConcert review: Formosa Quartet, Hsin-Yun Huang (viola) Peter Wiley (cello)
Bruce Hodges hears the performance of Dvořák, Grappelli, Dana Wilson, Kazka and Haydn at the American Philosophical Society, Philadelphia, PA, US, on 3 December 2023
-
ReviewConcert review: Musicians from Marlboro
Bruce Hodges hears the performance of Brahms, Vaughan Williams and Florence Price at the American Philosophical Society, Philadelphia, PA, US, on 6 December 2023
-
ReviewConcert review: Sheku Kanneh-Mason (cello)
Bruce Hodges listens to the performance of Bach, Britten, Simcock, Brouwer, Finnis and Cassadó at the Perelman Theater, Philadelphia, on 7 November 2023
-
ReviewConcert review: Maria Ioudenitch, Claire Bourg (violins) Hayang Park, Beth Guterman Chu (violas) Christoph Richter (cello)
Bruce Hodges hears the performance of Haydn, George Benjamin, Walker and Mendelssohn at the American Philosophical Society, Philadelphia, on 14 November 2023
-
ReviewConcert review: Brooklyn Rider
Bruce Hodges hears the performance of Haydn, Assad, Sorey, Kahane, Gubaidulina and Schumann at the American Philosophical Society, Philadelphia, on 21 November 2023
-
ReviewConcert review: Sphinx Virtuosi
Bruce Hodges visits the Perelman Theatre, Philadelphia, PA, US, on 18 October 2023 for a performance of Blache, Foley, Farías, Casarrubios, Hailstork and Perkinson
-
ReviewConcert review: Yo-Yo Ma (cello) New York Philharmonic/Jaap van Zweden, Philadelphia Orchestra/Yannick Nézet-Séguin
Leah Hollingsworth and Bruce Hodges review two concerts by the superstar cellist within the space of two days
-
ReviewConcert review: Simone Lamsma (violin) Mostly Mozart Festival Orchestra/Jonathon Heyward
Bruce Hodges hears the performance of Barber, Jessie Montgomery and Schumann at New York’s David Geffen Hall on 4 August 2023
-
ReviewConcert review: Gil Shaham (violin) National Youth Orchestra of the United States of America/Andrew Davis
Bruce Hodges witnesses the performance of Barber, Berlioz, Scott Wheeler and Valerie Coleman at New York’s Carnegie Hall on 14 July 2023
-
ReviewConcert review: Jennifer Koh (violin) NYO2/Joseph Young
Bruce Hodges reviews the concert at New York’s Carnegie Hall on 15 July 2023, comprising Sibelius, Bernstein, Prokofiev, Carlos Simon and Antonio Abreu
-
ReviewConcert review: Ying Quartet
Bruce Hodges watches the Bowdoin International Music Festival’s performance of Mozart, Kevin Puts and Dvořák at Studzinski Hall on 10 July 2023
-
ReviewConcert reviews: Bowdoin Festival
Bruce Hodges attends two performances at the Studzinski Recital Hall in Bowdoin, ME, US, on 28 and 30 June 2023
-
ReviewConcert review: East Coast Chamber Orchestra, Jupiter Quartet
Bruce Hodges attends the performance of Mahler, Hailstork and Jessie Montgomery at the Perelman Theater, Philadelphia, PA, on 9 May 2023
-
ReviewConcert review: Geneva Lewis (violin) Evren Ozel (piano)
Bruce Hodges reports on the performance of Fazil Say, Beethoven, Lilburn and Bartók at the American Philosophical Society, Philadelphia, PA, on 4 May 2023
-
ReviewConcert review: Brentano Quartet
Bruce Hodges reports on the performance at the American Philosophical Society, Philadelphia, on 1 March 2023
-
ReviewConcert review: Casals Quartet
Bruce Hodges hears a performance of Haydn, Ligeti and Beethoven at Philadelphia’s Kimmel Center on 16 February 2023
-
ReviewConcert review: Aizuri Quartet
Aizuri Quartet Perelman Theater, Kimmel Center 12 February 2023 A Clara Schumann song, ‘Ich stand in dunkeln Träumen’ (I Stood Darkly Dreaming), arranged by Karen Ouzounian – cellist of the Aizuri Quartet – began this programme exploring the subject of darkness to sunrise. And, with ...
-
ReviewConcert review: Trio Zimbalist
Bruce Hodges watches the performance of Auerbach, Weinberg and Dvořák at the Curtis Institute of Music’s Field Concert Hall, PA, US, on 11 January 2023
