All Concerts articles – Page 2
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ReviewConcert review: Manchester Collective, Abel Selaocoe (cello, vocals)
Charlotte Gardner hears a mash-up between East and West African, Baroque, jazz and modern music, composed and improvisedat London’s Queen Elizabeth Hall on 14 November 2024
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ReviewConcert review: Gil Shaham (violin)
Tim Homfray attends the solo performance of Bach, Scott Wheeler, Max Raimi and Reena Esmail at London’s Wigmore Hall 13 November 2024
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ReviewConcert review: Yo-Yo Ma (cello) Kathryn Stott (piano)
Janet Banks listens to the veteran duo’s performance of Fauré, Assad, Nadia Boulanger, Shostakovich, Pärt and Franck at London’s Barbican Hall on 2 November 2024
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ReviewConcert review: Gautier Capuçon (cello) Philadelphia Orchestra/Stéphane Denève
Bruce Hodges hears the performance of Guillaume Connesson, Saint-Saëns, Augusta Holmès and Berlioz at Philadelphia’s Marian Anderson Hall on 22 November 2024
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ReviewConcert review: Belcea Quartet, Ébène Quartet
Bruce Hodges listens to the two quartets perform Mendelssohn, Enescu and Fauré at Philadelphia’s Perelman Theater on 10 November 2024
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ReviewConcert review: Stephanie Zyzak (violin) Beth Guterman Chu (viola) Oliver Herbert (cello) Mitsuko Uchida (piano)
Bruce Hodges visits Philadelphia’s Perelman Theater on 8 November 2024 for the performance of Kurtág, Beethoven and Schumann
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ReviewConcert review: Belcea Quartet, Tabea Zimmermann (viola)
Tim Homfray visits London’s Wigmore Hall on 18 October 2024 for the performance of Mozart’s C minor String Quintet K406
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ReviewConcert review: Isabelle Faust (violin) London Symphony Orchestra/Thomas Adès
Peter Quantrill reviews the performance of Ondřej Adámek at London’s Barbican Hall on 31 October 2024
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ReviewConcert review: Sheku Kanneh-Mason (cello) Sinfonia of London/John Wilson
Tim Homfray visits London’s Barbican Hall on 15 October 2024 for the performance of Shostakovich, Kenneth Hesketh and Rachmaninoff
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ReviewConcert review: Soloists of the Kronberg Academy
Edward Bhesania visits London’s Wigmore Hall on 13 October 2024 for the performance of Debussy, Mozart and Beethoven
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ReviewConcert review: Time for Three, Curtis Symphony Orchestra/Osmo Vänskä
Bruce Hodges attends the performance of Jennifer Higdon, Sibelius and Prokofiev at Philadelphia’s Marian Anderson Hall 27 October 2024
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ReviewConcert review: Dover Quartet
Bruce Hodges watches the performance of Dvořák, Jessie Montgomery, Jerod Impichchaachaaha’ Tate and Pura Fé at Philadelphia’s Curtis Institute of Music on 25 October 2024
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ReviewConcert review: Choong-Jin Chang (viola) Philadelphia Orchestra/Roderick Cox
Bruce Hodges watches the performance of Martinů, Bartók and Saint-Saëns at Philadelphia’s Marian Anderson Hall on 11 October 2024
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ReviewConcert review: Seth Parker Woods (cello) New York Philharmonic/Thomas Wilkins
Leah Hollingsworth hears the performance of Carlos Simon, Nathalie Joachim, David Baker and William Grant at New York’s David Geffen Hall on 17 October 2024
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ReviewFestival review: Rosendal Festival
Harriet Smith finds that rain certainly didn’t stop play at Leif Ove Andsnes’s inspiring annual Norwegian gathering from 7–11 August 2024
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ReviewConcert review: Ava Bahari (violin) Gothenburg Symphony Orchestra/Santtu-Matias Rouvali
Andrew Mellor attends the performance of at Malmö Live Concert Hall in Sweden on 13 September 2024
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ReviewConcert review: New York Philharmonic Ensembles
Leah Hollingsworth visits New York’s Merkin Concert Hall for the peformance of on 29 September 2024
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ReviewConcert review: María Dueñas (violin) Philadelphia Orchestra/Yannick Nézet-Séguin
Bruce Hodges attends the performance of Bruch, Terence Blanchard and Tchaikovsky at Philadelphia’s Marian Anderson Hall on 26 September 2024
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ReviewConcert review: Leila Josefowicz (violin) John Novacek (piano
Charlotte Gardner attends the performance of Debussy and Szymanowski at London’s Wigmore Hall on 21 September 2024
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ReviewConcert review: Lawrence Power (viola, violin) Thomas Adès (piano) Paul Stoneman (percussion) Jonathan Goddard (dancer)
Tim Homfray visits London’s Queen Elizabeth Hall on 27 September 2024 for the performance of Adès, Purcell, Britten, Berio and Stravinsky
