All Editorial articles – Page 38
-
ReviewAdrian Butterfield: Leclair
Stylish period-instrument advocacy of this founder of the French violin school
-
-
ReviewChristine Busch, Elene Ansaia Meiparian: Maria Bach
Chamber works that unite the worlds of Brahms and Debussy
-
-
ReviewPavel Haas Quartet, Pavel Nikl: Brahms
A game of two halves as the Pavel Haas joins forces in Brahms
-
-
ReviewBelcea Quartet, Tabea Zimmermann, Jean-Guihen Queyras: Brahms
A landmark recording of these superlative string sextets
-
Premium ❘ FeatureBaroque Set-up: In a Land without Rules
With the growth in popularity of historically informed performance, more players are requesting Baroque-style instruments – but the process of converting an instrument is fraught with uncertainty. Sarah Peck presents an overview of the Baroque set-up process, and corrects some common misconceptions along the way
-
ReviewBook review: Music, Dance and Franco-Italian Cultural Exchange c.1700
Robin Stowell reviews Dona Fader’s latest publication, on the life and career of French Baroque composer Michel Pignolet de Montéclair
-
ReviewBook review: Have Violin, Will Travel: The Louis Persinger Story
Tully Potter reviews a biography of the US violinist and pedagogue who taught Menuhin, Ricci and Stern among others
-
ReviewLeonore Piano Trio: Bargiel
Groundbreaking accounts of music by Clara Schumann’s half-brother
-
ReviewConcert review: Daniel Lozakovich (violin) London Philharmonic Orchestra/Alpesh Chauhan
Peter Quantrill visits London’s Royal Festival Hall on 26 February 2022 for the performance of Prokofiev’s Second Violin Concerto
-
-
ReviewMarko Komonko, Theodore Kuchar, Denys Lytvynenko: Hermann
Compelling advocacy of the music of a forgotten Hungarian
-
ReviewFretwork: Matthew Locke: The Flat Consort
A fitting 400th birthday present for this master of the viol consort
-
ReviewConcert review: Benedetti–Elschenbroich–Grynyuk Trio
Tim Homfray hears the trio perform at London’s Wigmore Hall on 24 February 2022
-
-
-
ReviewGil Shaham: Mozart
A fascinating encounter between old-world opulence and modern musicianship
-
