All Editorial articles – Page 46
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ReviewDaniel Müller-Schott: Four Visions of France
German cellist brings an international feel to collection of Gallic works
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ReviewLive-streamed concert review: Han–Setzer–Finckel Trio
Leah Hollingsworth hears the performance from the Shalin Liu Performance Center, as part of the 2021 Rockport Chamber Music Festival
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ReviewLive-streamed concert review: Domenic Salerni
Bruce Hodges attends a virtual recital from Brooklyn, NY, on 19 September 2021
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ReviewConcert review: Esther Yoo (violin) Yekwon Sunwoo (piano)
Tim Homfray reports on the recital performance at London’s Wigmore Hall on 20 September 2021
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ReviewConcert review: Diotima Quartet, Mark Simpson (Clarinet)
Peter Quantrill hears the performance at London’s Kings Place on 30 September 2021
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ReviewConcert review: Gautier Capuçon (cello)
Tim Homfray watches the French cellist’s recital at London’s Wigmore Hall on 14 September 2021
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ReviewConcert review: Patricia Kopatchinskaja (violin) Berlin Philharmonic/Kirill Petrenko
Carlos Maria Solare attends the performance at the Berlin Philharmonie on 17 September 2021, kicking off the Moldovan violinist’s tenure as the orchestra’s artist-in-residence
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ReviewConcert review: Nicola Benedetti (violin)
Edward Bhesania hears the solo recital at London’s Barbican on 23 September 2021
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ReviewLive-streamed concert review: Ari Streisfeld (violin) Phillip Bush (piano)
Dennis Rooney watches a performance from the University of South Carolina’s 206 Recital Hall, on 31 August 2021
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ReviewBook review: The (Fr)agile Orchestra: Empowerment strategies for orchestras
Mark Pemberton, director of the Association of British Orchestras, reports on a book of essays envisioning the challenges and possibilities for orchestras in the 21st century
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ReviewBook and sheet music review: Beethoven String Quartet op.131
Robin Stowell reviews both a new Bärenreiter urtext edition of the work, and a book-length commentary on the piece by Nancy November
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FocusThe Strad Calendar 2022: Giuseppe Antonio Rocca violin 1844
The Rocca is clearly modelled after the most famous Stradivari violin, the ‘Messiah’
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FocusThe Strad Calendar 2022: Carlo Ferdinando Landolfi double bass c.1770
Landolfi’s choice of wood ranges from plain maple scrolls to highly flamed backs
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FocusThe Strad Calendar 2022: Pietro Guarneri of Venice violin 1725
Known as the ‘Reine Elisabeth’, this is the most expensive instrument bought by the Dutch Musical Instruments Foundation
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FocusThe Strad Calendar 2022: Giuseppe Guarneri ‘filius Andreae’ cello 1715 ‘ex Navarra’
The Guarneri ‘filius Andreae’ must be the most impressive Cremonese cello in terms of maker’s marks
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ReviewBook review: The Sheku Kanneh-Mason Cello Collection
Janet Banks reviews the superstar cellist’s first compendium of pieces for his instrument
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ReviewBook review: The Paganini of the Double Bass: Bottesini in Britain
Stephen Street reviews one of the first works in English on the great 19th-century double bassist Giovanni Bottesini
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ReviewBook review: 1 Teaches 2 Learn: Private music teaching and you
Celia Cobb reviews a book (and e-book) filled with interviews and advice from a lifetime of string teaching
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