Making Matters: Making transitional bows

Lead image

In 2021 bow maker Markus Laine was commissioned to make 15 transitional bows to be used by a single chamber orchestra. What were the challenges – and what change did it make to the sound?

In November 2021 I received a call from Tomas Djupsjöbacka, cellist and principal conductor of the Vaasa City Orchestra (VCO) in Finland. He shared his vision of recreating the orchestral sound of the Classical period (c.1730 to 1820) by marrying modern stringed instruments with Classical or transitional bows. These bows lack the power of modern bows but the sound produced is expressive, more flexible and certainly different. Would playing modern instruments with transitional bows create an orchestral sound closer to the Classical period? Making the transitional bows for the orchestra would certainly be a challenging project, but one I eagerly accepted…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.