Premiere of the Month: Kebra-Seyoun Charles’s new bass concerto

keb 2 Titilayo Ayangade

A New York-inspired bass concerto brings together varying dance forms

‘They just said to write a piece for yourself, so it was obvious to me it would be a bass concerto,’ says composer and bassist Kebra-Seyoun Charles about the American Composers Orchestra’s commissioning of the composer’s new work, Nightlife Concerto for double bass and orchestra. The two-movement piece is ‘predicated on what gets people to dance’, says Charles. ‘It’s also my impressionistic feelings on life in New York.’ The two movements are titled ‘On the streets’ and ‘In the club’. ‘As an artist I think it’s my duty to be a part of this world,’ Charles continues. ‘I like to go out at night and just observe people being a part of it.’…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.