All Lutherie articles – Page 17
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Focus‘The best viola of mine’ - Count Cozio’s 1773 Guadagnini viola
Alberto Giordano and Barthelemy Garnier examine the business agreement between G.B Guadagnini and Count Cozio di Salabue that allowed the luthier to create a new style of viola, in this excerpt from the January 2022 issue
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Premium ❘ ArticleAnalysis March 2023: Keeping ledger information in public domain
A lot at a 2022 auction caused a stir among bow researchers and enthusiasts – particularly when it was donated to a public institution to save it from private hands
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Gallery‘It felt like a Ferrari - 0 to 100 in just a few seconds’: Yuriy Bekker on his Andrea Guarneri violin
The violinist shares his experience of recording Edward Hart’s Under an Indigo Sky on the 1688 ‘ex Degen’ Andrea Guarneri violin
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Premium ❘ FeatureIn Focus: A 1720 cello by Michele Platner
Christopher Reuning looks at an instrument which could be confused with one by Tecchler, but is actually by the other great Roman cello maker
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Premium ❘ FeatureMaking Matters: A new take on an old classic
To combat the tedium of the Covid-19 lockdowns, Andrea Schudtz embarked on a project to copy a decorated Andrea Amati violin – but with a modern twist
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VideoPeter Sheppard Skærved on the ‘Pierre Rode’ Stradivari
The violinist examines the form and decoration of the master luthier’s 1722 instrument
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Premium ❘ FeatureIn Focus: A 1679 violin by Hendrick Aerninck
Michel Samson presents the 17th-century Dutch instrument
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Premium ❘ FeatureIn Focus: A 1759 Antonio Bagatella viola
Jens Stenz explores a Baroque viola made by a self-taught maker
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Premium ❘ FeatureTrade Secrets: Cleaning and repairing surfaces before closing an instrument top
An essential procedure for repair work on older instruments
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Premium ❘ FeatureThe art of Computer Numerical Control arching
Yann Poulain reveals his method for roughing out the arching of the front and back plates using the technology
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Premium ❘ FeatureMicro-CT scanning the 1727 ‘Benvenuti’ Stradivari violin
Rudolf Hopfner, director of the Collection of Historic Musical Instruments in Vienna, explains the process of scanning an instrument, and what the scans of the ‘Benvenuti’ tell us about its construction in this article from December 2016
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Premium ❘ FeaturePerfectly preserved: 1727 ‘Benvenuti’ Stradivari violin
Despite its rich performance history, the 1727 ‘Benvenuti’ Stradivari violin is in an excellent state of preservation. Andrea Zanrè tells its story in our December 2016 issue
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Premium ❘ Feature‘I’m happy to show them around’ - My Space: David Ayache
Visit a 13th-century workshop in the heart of Montpellier, France
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Blogs‘A huge versatility of sound’: Arabella Steinbacher on the 1744 ‘Sainton’ Guarneri ‘del Gesu’ violin
The violinist was recently loaned the 1744 ’Sainton’ Guarneri ‘del Gesu’ violin for her new recording of Bach and Pärt. She shares her thoughts on the instrument with The Strad
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Premium ❘ FeatureIn Focus: A 1939 Simone Fernando Sacconi viola
John Dilworth takes a look at an instrument by the 20th-century luthier
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Premium ❘ FeatureCremonese Varnish: Coats of many colours
Pierre Flavetta reveals the results of his historical research into the colourants and methods available to the luthiers of Stradivari’s day
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Premium ❘ Article‘No way fit to express an opinion’: From the archive: February 1933
Author and luthier Robert Alton rails against ‘The Amateur Violin Expert’ – even reserving a few harsh words for the professional expert as well
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NewsLuthier and bow maker Boyd Poulsen has died
The American polymath, a respected musician, lecturer and botanical expert, was 87 years old
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Premium ❘ FeatureIn Focus: A 1953 Giuseppe Ornati violin
Alberto Giordano takes a look at a mid-20th-century Italian violin
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NewsUS National Music Museum begins reopening project
The institution, which has been closed for several years, will reopen in phases throughout 2023
