All Lutherie articles – Page 20
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Premium ❘ FeatureAn outstanding piece of work: exploring the 1865 ‘Sheremetev’ Vuillaume cello
The sheer quantity of J.B. Vuillaume’s instruments has led to a certain prejudice against them. But as John Dilworth explains, his finest creations, such as this 1865 ‘Sheremetev’ cello, rank almost as high as those of the Cremonese masters
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FocusRaphael Wallfisch on playing the ‘Sheremetev’ Vuillaume cello
‘It’s a very versatile instrument as well as a beautiful thing to look at,’ said the cellist in our June 2013 issue
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Premium ❘ Feature‘The great artistry of history’s most important bow maker’ - François Xavier Tourte
Paul Childs compares and contrasts two very late violin bows by François Xavier Tourte
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FocusThe Strad Calendar 2023: 1859 Vuillaume violin
The violin is a very close copy of a ‘golden period’ Stradivari, possibly the 1715 ‘Alard’,
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Premium ❘ Feature‘I do pretty much everything in this one room’ - My Space: Steve Burnett
Take a trip into Steve Burnett’s Edinburgh workshop
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News‘Get in touch’: Newark School of Violin Making calls for alumni
Ahead of its 50th anniversary celebration next year, the school seeks alumni to get in touch with archival content
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Premium ❘ FeatureThe world’s most expensive violin: the 1741 ‘Vieuxtemps’ Guarneri ‘del Gesù’
Terry Borman discusses the ribs, purfling and scroll of this unique instrument in our June 2018 issue
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Premium ❘ FeatureAntonio Stradivari ‘Harrison’ violin 1693: The start of something big
Andrew Dipper shows how the 1693 ‘Harrison’ violin signifies the start of a critical phase in the master luthier’s career
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Premium ❘ Feature‘Portions of the book will hardly appear satisfactory’: From the archive: December 1902
The Hills’ book Antonio Stradivari: His Life and Work is now seen as a seminal landmark in Stradivari scholarship. The Strad ’s reviewer didn’t view it quite that way.
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ReviewBook review: The Caldersmith Papers: Writings on Guitar and Violin Acoustics
Jim Woodhouse reviews a collection of papers by Australian luthier and researcher Graham Caldersmith, from the 1970s to 2000s
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FocusThe Strad Calendar 2023: 1743 ‘Ngeringa’ Guadagnini cello
The instrument is one of only 39 cellos known to have been made by Guadagnini
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GalleryPhoto gallery: The tiniest violin studio you’ll see today!
A Swiss sculptor has created a model of a tiny violin workshop!
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Premium ❘ Feature1734 Stradivari violin ‘Willemotte’: Late… but worth the wait
Made when Antonio Stradivari was 90 years old, the 1734 ‘Willemotte’ bears all his hallmarks including a deep, complex tone quality
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NewsEuropa Galante to play on matched string ensemble
The concert, taking place on 21 November, features eleven instruments all made by luthier Renato Scrollavezza
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BlogsLooking after your instrument: all about open seams and where to find them
What causes open seams? How do you find them? Stacey Styles from the Women in Lutherie community investigates
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News‘Kux, Castelbarco’ Stradivari viola sells for £2.5m
The c.1720 instrument was sold at auction by Tarisio in London on 31 October 2022
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BlogsLooking after your instrument: a guide for beginners (and their parents)
Instrument care is often neglected during lesson time for beginners. Here, Iris Zhulla from the Women in Lutherie community shares some tips to aid beginners and their parents
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NewsViolin maker Tetsuo Matsuda dies aged 77
Born in Japan, the luthier lived in Chicago, US, for four decades
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Premium ❘ FeatureIn Focus: A c.1750 violin by Santo Serafin
Jonathan Marolle investigates the mid-18th-century Italian instrument
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NewsTartini tones: new research shows differences in old and new instruments
An Italian team has recorded the mysterious ‘third tone’, created when playing a two-note chord, as part of its research
