All Lutherie articles – Page 24
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Premium ❘ FeatureIn Focus: An 1875 viola by Domenico Degani
Ernst Fuchs details an instrument by the accomplished maker, now best-known as the father of Eugenio Degani
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NewsScottish violin maker Brian Rattray dies aged 83
The luthier ran a successful workshop in Colinton, on the outskirts of Edinburgh
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GalleryPhoto gallery: Ionel Manciu’s Gennaro Gagliano violin
Violinist Ionel Manciu provides an up-close look at his Gennaro Gagliano violin ahead of his appearance with the Mithras Piano Trio at Music at Paxton
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Premium ❘ FeatureFrançois-Nicolas Voirin: The Second Tourte
The bows of François-Nicolas Voirin had more influence than those of any other bow maker after F.X. Tourte. In the first of two articles, Matt Wehling explores Voirin’s life and career, and examines why his bows were so successful with players
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Premium ❘ FeatureIn Focus: A 1762 violin by Gennaro Gagliano
Yuri Pochekin examines the Neopolitan maker’s 18th-century instrument
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News‘Hellier’ Stradivari violin fails to sell at auction
The inlaid instrument was a highlight of Christie’s ’Exceptional Sale’ on 7 July
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ArticleDeconstructing the Andrea Amati ‘King’ cello
In an article from June 2015, Matthew Zeller examines five centuries of alterations made to the world’s oldest cello, housed at the National Music Museum in Vermillion, South Dakota, and asks what they reveal about the evolution and development of the standard cello form
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FocusFrom the Archive: Andrea Amati, 1564 ‘Charles IX’ violin from the Ashmolean Museum collection
In this extract from an article from the December 1991 issue of The Strad, Roger Hargrave discusses the ‘Charles IX’ Andrea Amati instruments with particular reference to this 1564 example from the Hill collection at the Ashmolean Museum in Oxford
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FeatureIn Focus: a 1682 violin by Nicolò Amati
Precision and elegance abound in this grand pattern Amati once owned by the Italian virtuoso Spagnoletti, writes Christopher Reuning
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Premium ❘ FeatureIn Focus: A c.1680 double bass by Girolamo Amati II
René Zaal details an instrument by the son of the more well-known Nicolò Amati, and the grandson of his namesake Girolamo Amati I
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Premium ❘ FeatureMy Space: Elisa Scrollavezza & Andrea Zanrè
The Parma-based makers take us on a tour of their workplace
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BlogsPhoto gallery: Simon Blendis on owning Max Jaffa’s 1704 Guarneri violin
Violinist Simon Blendis shares how a Pietro Guarneri of Mantua violin ended up in his hands, enabling him to explore the the repertoire of its former owner, British salon musician Max Jaffa
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Premium ❘ FeatureMaking Matters: Set the records straight
Acoustic testing can generate a huge amount of data on a single instrument. Rainer Beilharz shows how to record it in a meaningful way for visually oriented people
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BlogsLooking after your instrument: a beginner’s guide on how to change your strings
From the Women in Lutherie community: Munich-based luthier Lisa Hellmich provides a handy picture guide on how to change your strings with ease
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BlogsLooking after your instrument: a guide to cleaning and polishing
Luthier Nurgul Comak offers a guide on instilling good cleaning habits and techniques to ensure the health and longevity of your stringed instrument
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Premium ❘ FeatureLong read: Salted Soundboards and Sweet Sounds
‘Salt improves the voice of all sorts of instruments,’ wrote scholar Bernard Palissy in 1580, and analysis of several samples of wood has shown that ancient masters did treat wood with substances which were then defined as salts. In our June 1991 issue, Rémy Gug investigated the subject of salt-impregnation ...
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BlogsLooking after your instrument: an introduction to soundposts
What is a soundpost? What does it do? Luthier Cecilia González from the Women in Lutherie community illustrates the enormous role of the little cylindrical piece of wood in an aim to demystify the subject for players
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FocusIn focus: the ‘Sachs’ Stradivari violin of c.1666
John Dilworth takes a close look at one of the very earliest violins attributable to Stradivari
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BlogsLooking after your instrument: the secret to bridge placement
Is a reluctance to adjust your own bridge resulting in unnecessary trips to the luthier? Paris Andrew from the Women in Lutherie community explains how it’s done
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GalleryFrom the Archive: a violin by J.B. Guadagnini, Turin, 1780, the ‘Louis Spohr’
This illustration of the ‘Louis Spohr’ Guadagnini was published in The Strad, March 1962. The following text is extracted from the article accompanying the photographs: The J.B. Guadagnini illustrated is one of the finest specimens of this maker’s Turin works in existence. Like the best Guadagnini violins of the Turin ...
